梓囚徒貧圭�鮗� ○ 賜 ★ 辛酔堀貧和鍬匈��梓囚徒貧議 Enter 囚辛指欺云慕朕村匈��梓囚徒貧圭�鮗� ● 辛指欺云匈競何��
!!!!隆堋響頼��紗秘慕禰厮宴和肝写偬堋響��
could get out of debt by selling his collection�察 �OURS will probably not
fetch anything like what we gave for it。 In half´bindings there is a good
deal of room for the exercise of the collector's taste。 M。 Octave Uzanne�察�
in a tract called ;Les Caprices d'un Bibliophile�察─�gives some hints on this
topic�察 �which may be taken or let alone。 M。 Uzanne has noticed the
monotony�察 �and the want of meaning and suggestion in ordinary half´
bindings。 The paper or cloth which covers the greater part of the surface
of half´bound books is usually inartistic and even ugly。 He proposes to use
old scraps of brocade�察 �embroidery�察 �Venice velvet�察 �or what not�察 �and
doubtless a covering made of some dead fair lady's train goes well with a
romance by Crebillon�察�and engravings by Marillier。 ;Voici un cartonnage
Pompadour de notre invention�察─ �says M。 Uzanne�察 �with pride�察 �but he
observes that it needs a strong will to make a bookbinder execute such
orders。 For another class of books�察 �which our honest English shelves
reject with disgust�察�M。 Uzanne proposes a binding of the skin of the boa
constrictor�察�undoubtedly appropriate and ;admonishing。; The leathers of
China and Japan�察�with their strange tints and gilded devices may be used
for books of fantasy�察�like ;Gaspard de la Nuit�察─�or the ;Opium Eater�察─�or
Poe's poems�察 �or the verses of Gerard de Nerval。 Here�察 �in short�察 �is an
almost unexplored field for the taste of the bibliophile�察 �who�察 �with some
expenditure of time�察�and not much of money�察�may make half´binding an
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art�察�and give modern books a peculiar and appropriate raiment。
M。 Ambrose Firmin Didot has left some notes on a more serious
topic��the colours to be chosen when books are full´bound in morocco。
Thus he would have the ;Iliad; clothed in red�察 �the ;Odyssey; in blue�察�
because the old Greek rhapsodists wore a scarlet cloak when they recited
the Wrath of Achilles�察 �a blue one when they chanted of the Return of
Odysseus。 The writings of the great dignitaries of the Church�察�M。 Didot
would array in violet�察�scarlet goes well with the productions of cardinals�察�
philosophers have their sober suit of black morocco�察 �poets like Panard
may be dressed in rose colour。 A collector of this sort would like�察�were it
possible�察 �to attire Goldsmith's poems in a ;coat of Tyrian bloom�察 �satin
grain。; As an antithesis to these extravagant fancies�察�we may add that for
ordinary books no binding is cheaper�察 �neater�察 �and more durable�察 �than a
coat of buckram。
The conditions of a well bound book may be tersely enumerated。
The binding should unite solidity and elegance。 The book should open
easily�察 �and remain open at any page you please。 It should never be
necessary�察�in reading�察�to squeeze back the covers�察�and no book�察�however
expensively bound�察�has been properly treated�察�if it does not open with ease。
It is a mistake to send recently printed books to the binder�察 �especially
books which contain engravings。 The printing ink dries slowly�察�and�察�in
the process called ;beating�察─ �the text is often transferred to the opposite
page。 M。 Rouveyre recommends that one or two years should pass
before the binding of a newly printed book。 The owner will�察�of course�察�
implore the binder to�察�spare the margins�察�and�察�almost equally of course�察�the
binder�察 �durus arator�察 �will cut them down with his abominable plough。
One is almost tempted to say that margins should always be left untouched�察�
for if once the binder begins to clip he is unable to resist the seductive joy�察�
and cuts the paper to the quick�察�even into the printed matter。 Mr。 Blades
tells a very sad story of a nobleman who handed over some Caxtons to a
provincial binder�察�and received them back MINUS 500 pounds worth of
margin。 Margins make a book worth perhaps 400 pounds�察 �while their
absence reduces the same volume to the box marked ;all these at
fourpence。; Intonsis capillis�察 �with locks unshorn�察 �as Motteley the old
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dealer used to say�察�an Elzevir in its paper wrapper may be worth more than
the same tome in morocco�察 �stamped with Longepierre's fleece of gold。
But these things are indifferent to bookbinders�察�new and old。 There lies
on the table�察�as I write�察 �Les Provinciales�察�ou Les Lettres Ecrites par Louis
de Montalte a un Provincial de ses amis�察 �& aux R。R。 P。P。 Jesuites。 A
Cologne�察�Ches PIERRE de la VALLEE�察�M。DC。LVIII。; It is the Elzevir
edition�察�or what passes for such�察�but the binder has cut down the margin so
that the words ;Les Provinciales; almost touch the top of the page。 Often
the wretchhe lived�察 �judging by his style�察 �in Derome's time�察 �before the
Revolutionhas sliced into the head´ titles of the pages。 Thus the book�察�
with its old red morocco cover and gilded flowers on the back�察 �is no
proper companion for ;Les Pensees de M。 PASCAL ��Wolfganck�察�1672���察─�
which some sober Dutchman has left with a fair allowance of margin�察�an
inch ;taller; in its vellum coat than its neighbour in morocco。 Here once
more�察�is ;LES FASCHEUX�察�Comedie de I。 B。 P。 MOLIERE�察�Representee
sur Le Theatre du Palais Royal。 A Paris�察�Chez GABRIEL QUINET�察�au
Palais�察 �dans la Galerie des Prisonniers�察 �a l'Ange Gabriel�察 �M。DCLXIII。
Avec privilege du Roy。; What a crowd of pleasant memories the
bibliophile�察�and he only�察�finds in these dry words of the title。 Quinet�察�the
bookseller�察�lived ;au Palais�察─�in that pretty old arcade where Corneille cast
the scene of his comedy�察 �La Galerie du Palais。; In the Geneva edition of
Corneille�察�1774�察�you can see Gravelot's engraving of the place�察�it is a print
full of exquisite charm ��engraved by Le Mure in 1762��。 Here is the long
arcade�察 �in shape exactly like the galleries of the Bodleian Library at
Oxford。 The bookseller's booth is arched over�察 �and is open at front and
side。 Dorimant and Cleante are looking out�察�one leans on the books on
the window´sill�察�the other lounges at the door�察�and they watch the pretty
Hippolyte who is chaffering with the lace´seller at the opposite shop。
;Ce visage vaut mieux que toutes vos chansons�察─ �says Dorimant to the
bookseller。 So they loitered�察�and bought books�察�and flirted in their lace
ruffles�察 �and ribbons�察 �and flowing locks�察 �and wide canons�察 �when Moliere
was young�察 �and when this little old book was new�察 �and lying on the
shelves of honest Quinet in the Palace Gallery。 The very title´page�察�and
pagination�察�not of this second edition�察�but of the first of ;Les Fascheux�察─�
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had their own fortunes�察 �for the dedication to Fouquet was perforce
withdrawn。 That favourite entertained La Valliere and the King with the
comedy at his house of Vaux�察 �and then instantly fell from power and
favour�察�and�察�losing his place and his freedom�察�naturally lost the flattery of
a dedication。 But retombons a nos coches�察 �as Montaigne says。 This
pleasant little copy of the play�察�which is a kind of relic of Moliere and his
old world�察 �has been ruthlessly bound up with a treatise�察 �Des Pierres
Precieuses�察─ �published by Didot in 1776。 Now the play is naturally a
larger book than the treatise on precious stones�察�so the binder has cut down
the margins to the size of those of the work on amethysts and rubies。 As
the Italian tyrant chained the dead and the living together�察 �as Procrustes
maimed his vi