嗔秤戻幣�哉膵�云利匈嬉蝕湊蛸賜�塋床四衲���萩晦編報炎嘔囚^泡仟 ̄云利匈�《超噌�殻窟�嵌虜隆輓麈觚翹瀘卉韮�仍仍�。� 烏御危列
湘弼慕汐 卦指云慕朕村 厘議慕尺 厘議慕禰 TXT畠云和墮 序秘慕杏 紗秘慕禰

the library(夕慕鋼)-及13嫗

梓囚徒貧圭�鮗� ○ 賜 ★ 辛酔堀貧和鍬匈��梓囚徒貧議 Enter 囚辛指欺云慕朕村匈��梓囚徒貧圭�鮗� ● 辛指欺云匈競何��
!!!!隆堋響頼��紗秘慕禰厮宴和肝写偬堋響��




could   get   out   of   debt   by  selling his   collection�察  �OURS   will   probably  not 

fetch anything like what we gave for it。               In half´bindings there is a good 

deal of room for the exercise of the collector's taste。                M。 Octave Uzanne�察�

in a tract called ;Les Caprices d'un Bibliophile�察─�gives some hints on this 

topic�察  �which   may   be   taken      or   let   alone。  M。   Uzanne   has   noticed        the 

monotony�察      �and   the   want    of  meaning      and   suggestion     in  ordinary   half´ 

bindings。      The paper or cloth which covers the greater part of the surface 

of half´bound books is usually inartistic and even ugly。 He proposes to use 

old    scraps    of   brocade�察   �embroidery�察      �Venice    velvet�察   �or  what    not�察  �and 

doubtless a covering made of some dead fair lady's train goes well with a 

romance by Crebillon�察�and engravings by Marillier。                   ;Voici un cartonnage 

Pompadour         de  notre    invention�察─    �says   M。   Uzanne�察    �with    pride�察  �but   he 

observes   that   it   needs   a   strong   will   to   make   a   bookbinder   execute   such 

orders。     For   another   class   of   books�察  �which   our   honest   English   shelves 

reject with disgust�察�M。 Uzanne proposes a binding of the skin of the boa 

constrictor�察�undoubtedly appropriate and ;admonishing。;                      The leathers of 

China and Japan�察�with their strange tints and gilded devices may be used 

for books of fantasy�察�like ;Gaspard de la Nuit�察─�or the ;Opium Eater�察─�or 

Poe's   poems�察  �or   the   verses   of   Gerard   de   Nerval。      Here�察  �in   short�察  �is   an 

almost   unexplored   field   for   the   taste   of   the   bibliophile�察  �who�察  �with   some 

expenditure of time�察�and not much of money�察�may make half´binding an 



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art�察�and give modern books a peculiar and appropriate raiment。 

     M。   Ambrose   Firmin   Didot   has   left   some   notes   on   a   more          serious 

topic��the   colours   to   be   chosen   when   books   are   full´bound   in   morocco。 

Thus   he   would   have   the   ;Iliad;   clothed   in   red�察  �the   ;Odyssey;   in   blue�察�

because the old Greek rhapsodists wore a scarlet cloak when they recited 

the   Wrath   of   Achilles�察  �a   blue   one   when   they   chanted   of   the   Return   of 

Odysseus。        The writings of the great dignitaries of the Church�察�M。 Didot 

would array in violet�察�scarlet goes well with the productions of cardinals�察�

philosophers   have   their   sober   suit   of   black   morocco�察  �poets   like   Panard 

may be dressed in rose colour。            A collector of this sort would like�察�were it 

possible�察  �to   attire   Goldsmith's   poems   in   a   ;coat   of   Tyrian   bloom�察  �satin 

grain。;     As an antithesis to these extravagant fancies�察�we may add that for 

ordinary   books   no   binding   is   cheaper�察  �neater�察  �and   more   durable�察  �than   a 

coat of buckram。 

     The   conditions   of   a   well   bound       book    may   be   tersely   enumerated。 

The binding should unite solidity and elegance。                    The book should open 

easily�察  �and    remain     open   at  any   page   you     please。    It  should     never   be 

necessary�察�in reading�察�to squeeze back the covers�察�and no book�察�however 

expensively bound�察�has been properly treated�察�if it does not open with ease。 

It   is   a   mistake   to   send   recently   printed   books   to   the   binder�察  �especially 

books which contain engravings。                The printing ink dries slowly�察�and�察�in 

the process   called   ;beating�察─  �the   text   is   often  transferred   to the   opposite 

page。     M。     Rouveyre      recommends        that   one   or  two    years   should     pass 

before the binding of a newly printed book。                  The owner will�察�of course�察�

implore the binder to�察�spare the margins�察�and�察�almost equally of course�察�the 

binder�察  �durus   arator�察  �will   cut   them   down   with   his   abominable   plough。 

One is almost tempted to say that margins should always be left untouched�察�

for if once the binder begins to clip he is unable to resist the seductive joy�察�

and cuts the paper to the quick�察�even into the printed matter。 Mr。 Blades 

tells a very sad story of a nobleman who handed over some Caxtons to a 

provincial binder�察�and received them back MINUS 500 pounds worth of 

margin。      Margins   make   a   book   worth   perhaps   400   pounds�察  �while   their 

absence      reduces     the   same     volume     to   the   box   marked      ;all   these   at 

fourpence。;       Intonsis   capillis�察  �with   locks   unshorn�察  �as   Motteley   the   old 



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dealer used to say�察�an Elzevir in its paper wrapper may be worth more than 

the   same   tome   in   morocco�察  �stamped   with   Longepierre's   fleece   of   gold。 

But these things are indifferent to bookbinders�察�new and old。                    There lies 

on the table�察�as I write�察 �Les Provinciales�察�ou Les Lettres Ecrites par Louis 

de   Montalte   a   un   Provincial   de   ses   amis�察  �&   aux   R。R。   P。P。   Jesuites。  A 

Cologne�察�Ches PIERRE de la VALLEE�察�M。DC。LVIII。;                           It is the Elzevir 

edition�察�or what passes for such�察�but the binder has cut down the margin so 

that the words ;Les Provinciales; almost touch the top of the page。                    Often 

the   wretchhe   lived�察  �judging   by   his   style�察  �in   Derome's   time�察  �before   the 

Revolutionhas sliced into the head´ titles of the pages。                 Thus the book�察�

with   its   old   red   morocco   cover   and   gilded   flowers   on   the   back�察  �is   no 

proper companion for ;Les Pensees de M。 PASCAL ��Wolfganck�察�1672���察─�

which some sober Dutchman has left with a fair allowance of margin�察�an 

inch ;taller; in its vellum coat than its neighbour in morocco。                  Here once 

more�察�is ;LES FASCHEUX�察�Comedie de I。 B。 P。 MOLIERE�察�Representee 

sur Le Theatre du Palais Royal。             A Paris�察�Chez GABRIEL QUINET�察�au 

Palais�察  �dans   la   Galerie   des   Prisonniers�察  �a   l'Ange   Gabriel�察  �M。DCLXIII。 

Avec     privilege    du   Roy。;     What      a  crowd     of   pleasant    memories      the 

bibliophile�察�and he only�察�finds in these dry words of the title。 Quinet�察�the 

bookseller�察�lived ;au Palais�察─�in that pretty old arcade where Corneille cast 

the scene of his comedy�察 �La Galerie du Palais。;               In the Geneva edition of 

Corneille�察�1774�察�you can see Gravelot's engraving of the place�察�it is a print 

full of exquisite charm ��engraved by Le Mure in 1762��。                    Here is the long 

arcade�察    �in  shape    exactly   like  the   galleries   of  the   Bodleian     Library   at 

Oxford。  The   bookseller's   booth   is   arched   over�察  �and   is   open   at   front   and 

side。    Dorimant and Cleante are looking out�察�one leans on the books on 

the window´sill�察�the other lounges at the door�察�and they watch the pretty 

Hippolyte   who   is   chaffering       with   the   lace´seller   at   the   opposite   shop。 

;Ce   visage   vaut   mieux   que   toutes   vos   chansons�察─  �says   Dorimant   to   the 

bookseller。      So they loitered�察�and bought books�察�and flirted in their lace 

ruffles�察 �and   ribbons�察 �and   flowing   locks�察 �and   wide   canons�察 �when   Moliere 

was   young�察  �and   when   this   little   old   book   was   new�察  �and   lying   on   the 

shelves of honest Quinet in the Palace Gallery。                The very title´page�察�and 

pagination�察�not of this second edition�察�but of the first of ;Les Fascheux�察─�



                                                40 


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had     their  own     fortunes�察   �for  the   dedication     to   Fouquet     was    perforce 

withdrawn。        That favourite entertained La Valliere and the King with the 

comedy   at   his   house   of   Vaux�察  �and   then   instantly   fell   from   power   and 

favour�察�and�察�losing his place and his freedom�察�naturally lost the flattery of 

a   dedication。      But    retombons      a  nos   coches�察   �as   Montaigne      says。   This 

pleasant little copy of the play�察�which is a kind of relic of Moliere and his 

old   world�察  �has   been   ruthlessly   bound   up   with   a   treatise�察   �Des   Pierres 

Precieuses�察─  �published   by   Didot   in   1776。        Now   the   play   is   naturally   a 

larger book than the treatise on precious stones�察�so the binder has cut down 

the margins to the size of those of the work on amethysts and rubies。                       As 

the  Italian tyrant   chained   the dead   and   the living   together�察 �as   Procrustes 

maimed his vi
卦指朕村 貧匯匈 和匯匈 指欺競何 壘��0�� 家��0��
隆堋響頼��紗秘慕禰厮宴和肝写偬堋響��
梁椣戻幣�� 梁心弌傍議揖扮窟燕得胎��傍竃徭失議心隈才凪万弌誌育断蛍�輌臆惨軼僑〃�燕慕得珊辛參資誼持蛍才将刮襲潜��範寔亟圻幹慕得 瓜寡追葎娼得辛參資誼寄楚署衛、持蛍才将刮襲潜填��