嗔秤戻幣�哉膵�云利匈嬉蝕湊蛸賜�塋床四衲���萩晦編報炎嘔囚^泡仟 ̄云利匈�《超噌�殻窟�嵌虜隆輓麈觚翹瀘卉韮�仍仍�。� 烏御危列
湘弼慕汐 卦指云慕朕村 厘議慕尺 厘議慕禰 TXT畠云和墮 序秘慕杏 紗秘慕禰

the library(夕慕鋼)-及12嫗

梓囚徒貧圭�鮗� ○ 賜 ★ 辛酔堀貧和鍬匈��梓囚徒貧議 Enter 囚辛指欺云慕朕村匈��梓囚徒貧圭�鮗� ● 辛指欺云匈競何��
!!!!隆堋響頼��紗秘慕禰厮宴和肝写偬堋響��




women detest the books which the collector desires and admires。                      First�察�

they  don't understand them�察  �second�察  �they  are   jealous   of their   mysterious 

charms�察�third�察�books cost money�察�and it really is a hard thing for a lady to 

see money expended on what seems a dingy old binding�察�or yellow paper 

scored   with   crabbed   characters。       Thus   ladies    wage   a   skirmishing     war 

against booksellers' catalogues�察�and history speaks of husbands who have 

had to practise the guile of smugglers when they conveyed a new purchase 

across     their  own    frontier。    Thus     many    married    men    are   reduced     to 

collecting     Elzevirs�察  �which    go   readily   into  the   pocket�察  �for   you   cannot 

smuggle   a   folio   volume   easily。     This   inveterate   dislike   of   books   often 

produces      a  very   deplorable     result   when    an   old   collector   dies。    His 

;womankind�察─�as the Antiquary called them�察�sell all his treasures for the 

price    of   waste´paper�察     �to   the   nearest   country     bookseller。      It   is  a 

melancholy duty which forces one to introduce such topics into a volume 

on ;Art at Home。;         But this little work will not have been written in vain 

if it persuades ladies who inherit books not to sell them hastily�察 �without 

taking    good    and   disinterested    opinion    as   to  their  value。    They     often 

dispose of treasures worth thousands�察�for a ten pound note�察�and take pride 

in the bargain。      Here�察�let history mention with due honour the paragon of 



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her   sex   and   the   pattern   to   all   wives   of   book´collecting   men   Madame 

Fertiault。     It is thus that she addresses her lord in a charming triolet �─�Les 

Amoureux du Livre�察─�p。 xxxv���此� 

        ;Le   livre   a   ton   esprit   。   。   。   tant   mieux�   �Moi�察  �j'ai   ton   coeur�察  �et   sans 

partage。 Puis´je desirer   davantage�拭�Le livre   a ton   esprit   。 。  。  tant   mieux� �

Heureuse de te voir joyeux�察�Je t'en voudrais 。 。 。 tout un etage。 Le livre a 

ton esprit 。 。 。 tant mieux� �Moi�察�j'ai ton coeur�察�et sans partage。; 

        Books rule thy mind�察�so let it be� �Thy heart is mine�察�and mine alone。 

What   more   can   I   require   of   thee�拭  �Books   rule   thy   mind�察  �so   let   it   be� �

Contented when thy bliss I see�察�I wish a world of books thine own。 Books 

rule thy mind�察�so let it be� �Thy heart is mine�察�and mine alone。 

       There   is   one   method   of   preserving   books�察  �which�察  �alas�察  �only   tempts 

the    borrower�察    �the   stealer�察  �the   rat�察 �and   the   book´worm�察       �but   which     is 

absolutely      necessary     as   a  defence     against    dust   and    neglect。    This     is 

binding。      The bookbinder's art too often destroys books when the artist is 

careless�察�but it is the only mode of preventing our volumes from falling to 

pieces�察  �and   from   being   some   day   disregarded   as   waste´paper。            A  well´ 

bound   book�察  �especially   a   book   from   a   famous   collection�察  �has   its   price�察�

even if its literary contents be of trifling value。              A leather coat fashioned 

by    Derome�察     �or  Le    Gascon�察    �or  Duseuil�察    �will   win   respect    and    careful 

handling      for  one    specimen      of  an   edition   whereof      all  the  others    have 

perished。      Nothing is so slatternly as the aspect of a book merely stitched�察�

in   the   French   fashion�察  �when   the   threads   begin   to   stretch�察  �and   the   paper 

covers to curl and be torn。           Worse consequences follow�察�whole sheets are 

lost�察�the volume becomes worthless�察�and the owner must often be at the 

expense of purchasing another copy�察�if he can�察�for the edition may now be 

out   of   print。   Thus   binding   of   some   sort   not   only   adds   a   grace   to   the 

library�察�presenting to the eye the cheerful gilded rows of our volumes�察�but 

is a positive economy。           In the case of our cloth´covered English works�察�

the need   of   binding   is   not   so   immediately  obvious。         But   our   publishers 

have a taste for clothing their editions in tender tones of colour�察�stamped�察�

often�察�with landscapes printed in gold�察�in white�察�or what not。                    Covers like 

this�察�may or may not please the eye while they are new and clean�察�but they 

soon become dirty and hideous。                When a   book is covered   in cloth of   a 



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good dark tint it may be allowed to remain unbound�察�but the primrose and 

lilac hues soon call out for the aid of the binder。 

     Much has been written of late about book´binding。                   In a later part of 

this manual we shall have something to say about historical examples of 

the art�察�and the performances of the great masters。                 At present one must 

begin by giving the practical rule�察�that a book should be bound in harmony 

with its character and its value。          The bibliophile�察�if he could give the rein 

to his passions�察�would bind every book he cares to possess in a full coat of 

morocco�察�or ��if it did not age so fast�� of Russia leather。               But to do this is 

beyond   the   power   of   most   of   us。    Only   works   of   great   rarity   or   value 

should   be   full   bound   in   morocco。      If   we   have   the   luck   to   light   on   a 

Shakespeare quarto�察�on some masterpiece of Aldus Manutius�察�by all means 

let us entrust it to the most competent binder�察�and instruct him to do justice 

to the volume。        Let old English books�察�as More's ;Utopia�察─�have a cover 

of stamped and blazoned calf。            Let the binder clothe an early Rabelais or 

Marot in the style favoured by Grolier�察�in leather tooled with geometrical 

patterns。      Let     a   Moliere     or   Corneille     be   bound      in  the    graceful 

contemporary        style   of  Le   Gascon�察    �where    the   lace´like   pattern    of  the 

gilding resembles the Venetian point´lace�察�for which La Fontaine liked to 

ruin   himself。     Let   a   binding�察   �a   la   fanfare�察  �in  the   style   of   Thouvenin�察�

denote   a   novelist   of   the   last   century�察  �let   panelled   Russia   leather   array   a 

folio   of   Shakespeare�察  �and   let   English   works   of   a   hundred   years   ago   be 

clothed in the sturdy fashion of Roger Payne。               Again�察�the bibliophile may 

prefer to have the leather stamped with his arms and crest�察�like de Thou�察�

Henri III。�察�D'Hoym�察�Madame du Barry�察�and most of the collectors of the 

seventeenth and eighteenth centuries。              Yet there are books of great price 

which one would hesitate to bind in new covers。                An Aldine or an Elzevir�察�

in its old vellum or paper wrapper�察�with uncut leaves�察�should be left just as 

it came from the presses of the great printers。              In this condition it is a far 

more interesting relic。        But   a morocco case   may be   made   for the   book�察�

and    lettered   properly     on  the   back�察  �so   that  the   volume�察   �though     really 

unbound�察  �may   take   its   place   with   the   bound   books   on   the   shelves。      A 

copy of any of Shelley's poems�察�in the original wrappers�察�should I venture 

to think be treated thus�察�and so should the original editions of Keats's and 



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                                          THE LIBRARY38 



of Mr。 Tennyson's works。            A collector�察�who is also an author�察�will perhaps 

like to have copies of his own works in morocco�察�for their coats will give 

them a chance of surviving the storms of time。                 But most other books�察�not 

of   the   highest    rarity   and   interest�察  �will  be   sufficiently   clothed     in  half´ 

bindings�察�that is�察�with leather backs and corners�察�while the rest of the cover 

is of cloth or paper�察�or whatever other substance seems most appropriate。 

An Oxford tutor used to give half´binding as an example of what Aristotle 

calls    ��Greek     text�В察  �or  ;shabbiness�察─      �and   when     we    recommend        such 

coverings   for   books   it   is   as   a   counsel   of   expediency�察  �not   of   perfection。 

But   we   cannot   all   be   millionaires�察  �and�察  �let   it   be   remembered�察  �the   really 

wise amateur will never be extravagant�察�nor let his taste lead him into ;the 

ignoble   melancholy   of   pecuniary   embarrassment。;               Let   the   example   of 

Charles   Nodier   be   our   warning�察  �nay�察  �let   us   remember   that   while   Nodier 

could   get   out   of   debt   by  selling his   collection�察  �OURS   will   probably  not 
卦指朕村 貧匯匈 和匯匈 指欺競何 壘��0�� 家��0��
隆堋響頼��紗秘慕禰厮宴和肝写偬堋響��
梁椣戻幣�� 梁心弌傍議揖扮窟燕得胎��傍竃徭失議心隈才凪万弌誌育断蛍�輌臆惨軼僑〃�燕慕得珊辛參資誼持蛍才将刮襲潜��範寔亟圻幹慕得 瓜寡追葎娼得辛參資誼寄楚署衛、持蛍才将刮襲潜填��