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looking at it as one does at a cluster of gems�察�he added�察 �`the adjustment of 

the strings。'' 

     ``That will do��'' interrupted Satan�察�taking the violin from the little man�察�

who   bowed   low   and   ceremoniously   took   his   departure。   Then   the   devil�察�

pointing to the instrument�察�asked�此 �`Isn't it a beauty��'' 

     The musician�察�eying it keenly�察�replied�此 �`Yes�察�it is�察�but not the kind of 

violin I play on。'' 

     ``Oh�察  �I   see��''   carelessly   observed   the   other�察   �`you   refer   to   that   extra 

string。'' 

     ``Yes��'' answered the puzzled violinist�察�examining it closely。 

     ``Allow me to explain the peculiar characteristics of this magnificent 

instrument��'' said his satanic majesty。 ``This string��'' pointing to the G�察 �`is 

the string of pity�察�this one��'' referring to the third�察 �`is the string of hope�察�

this��''   plunking   the A�察   �`is   attuned   to   love�察  �while   this   one�察  �the   E   string�察�

gives forth sounds of joy。 

     ``You   will   observe��''   went   on   the   visitor�察  �noting   the   intense   interest 

displayed by the violinist�察 �`that the position of the strings is the same as 

on any other violin�察�and therefore will require no additional study on your 

part。'' 

     ``But that extra string��'' interrupted Diotti�察�designating the middle one 

on the violin�察�a vague foreboding rising within him。 

     ``That��''    said    Mephistopheles�察       �solemnly�察     �and   with    no   pretense     of 

sophistry�察 �`is the string of death�察�and he who plays upon it dies at once。'' 

     ``Thestringofdeath��'' repeated the violinist almost inaudibly。 

     ``Yes�察�the string of death��'' Satan repeated�察 �`and he who plays upon it 

dies    at  once。    But��''  he   added    cheerfully�察     �`that  need    not   worry   you。     I 

noticed a marvelous facility in your arm work。 Your staccato and spiccato 

are wonderful。 Every form of bowing appears child's play to you。 It will be 

easy for you to avoid touching the string。'' 

     ``Why avoid it�拭�Can it not be cut off��'' 



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     ``Ah�察�that's the rub。 If you examine the violin closely you will find that 

the string of death is made up of the extra lengths of the other four strings。 

To cut it off would destroy the others�察�and then pity�察�hope�察�love and joy 

would cease to exist in the soul of the violin。'' 

     ``How   like   life   itself��''   Diotti   reflected�察   �`pity�察  �hope�察  �love�察  �joy  end   in 

death�察�and through death they are born again。'' 

     ``That's the idea�察�precisely��'' said Satan�察�evidently relieved by Diotti's 

logic and quick perception。 

     The   violinist   examined   the   instrument   with   the   practised   eye   of   an 

expert�察�and turning to Satan said�此 �`The four strings are beautifully white 

and transparent�察�but this one is black and odd looking。 

     ``What   is   it   wrapped   with��''   eagerly   inquired   Diotti�察  �examining   the 

death string with microscopic care。 

     ``The fifth string was added after an unfortunate episode in the Garden 

of Eden�察�in which I was somewhat concerned��'' said Satan�察�soberly。 ``It is 

wrapped with strands of hair from the first mother of man。'' Impressively 

then he offered the violin to Diotti。 

     ``I dare not take it��'' said the perplexed musician�察 �`it's from'' 

     ``Yes�察�it is directly from there�察�but I brought it from heaven when II 

left��'' said the fallen angel�察�with remorse in his voice。 ``It was my constant 

companion there。 But no one in my domainnot I�察�myselfcan play upon 

it now�察�for it will respond neither to our longing for pity�察�hope�察�love�察�joy�察�

nor even death��'' and sadly and retrospectively Satan gazed into vacancy�察�

then�察�after a long pause�此 �`Try the instrument��'' 

     Diotti placed the violin in position and drew the bow across the string 

of   joy�察  �improvising   on   it。 Almost   instantly  the   birds   of   the   forest   darted 

hither and thither�察�caroling forth in gladsome strains。 The devil alone was 

sad�察�and with emotion said�此�

     ``It is many�察�many years since I have heard that string。'' 

     Next the artist changed to the string of pity�察�and thoughts of the world's 

sorrows came over him like a pall。 

     ``Wonderful�察�most wonderful��'' said the mystified violinist�察 �`with this 

instrument I can conquer the world��'' 

     ``Aye�察  �more   to   you   than   the   world��''   said   the   tempter�察   �`a   woman's 



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love。'' 

     A woman's loveto the despairing suitor there was one and only one in 

this wide�察�wide world�察�and her words�察�burning their way into his heart�察�had 

made   this     temptation      possible�此    �`No    droop´   ing    Clytie    could    be  more 

constant than I to him who strikes the chord that is responsive in my soul。'' 

     Holding   the   violin   aloft�察  �he   cried   exultingly�此   �`Henceforth   thou   art 

mine�察�though death and oblivion lurk ever near thee��'' 



                                                  20 


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                                             VII 



     Perkins�察�seated in his office�察�threw the morning paper aside。 ``It's no 

use��'' he said�察�turning to the office boy�察 �`I don't believe they ever will find 

him�察  �dead   or   alive。  Whoever   put   up   the   job   on   Diotti   was   a   past   grand 

master at that sort of thing。 The silent assassin that lurks in the shadow of 

the midnight moon is an explosion of dynamite compared to the party that 

made way with Diotti。 You ask�察�why should they kill him�拭�My boy�察�you 

don't   know   the   world。   They   were   jealous   of   his   enormous   hit�察  �of   our 

dazzling success。 Jealousy did it。'' 

     The     ``they''   of   Perkins    comprised       rival   managers�察     �rival   artists�察�

newspaper critics and everybody at large who would not concede that the 

attractions managed by Perkins were the ``greatest on earth。'' 

     ``We'll   never   see   his   like   again   come   in��''   this   last   in   answer   to   a 

knock。 

     Diotti appeared at the open door。 Perkins jumped like one shot from a 

catapult�察�and rushing toward the silent figure in the doorway exclaimed�此�

``Bless my soul�察�are you a ghost��'' 

     ``A substantial one��'' said Diotti with a smile。 

     ``Are   you   really   here��''   continued   the   astonished   impresario�察  �using 

Diotti's arm as a pump handle and pinching him at the same time。 

     When      they   were    seated    Perkins    plied   Diotti   with    all  manner     of 

questions�察 �`How did it happen��'' ``How did you escape��'' and the like�察�all 

of which Diotti parried with monosyllabic replies�察�finally saying�此 �`I was 

dissatisfied with my playing and went away to study。'' 

     ``Do you know that the failure to fulfill your contract has cost me at 

least ten thousand dollars��'' said the shrewd manager�察�the commercial side 

of his nature asserting itself。 

     ``All   of   which   I   will   pay��''   quietly   replied   the   artist。   ``Besides   I   am 

ready to play now�察�and you can announce a concert within a week if you 

like。'' 

     ``If   I   like��''   cried   the   hustling   Perkins。   ``Here�察  �James��''   calling   his 

office boy�察 �`run down to the printer's and give him this��'' making a note of 

the various sizes of ``paper'' he desired�察 �`and tell Mr。 Tompkins that Diotti 



                                                21 


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                                        The Fifth String 



is   back   and   will   give   a   concert   next   Tuesday。  Tell   Smith   to   prepare   the 

newspaper `ads' and notices immediately。'' 

     In an   hour   Perkins had the  entire machinery  of   his   office  in   motion。 

Within      twenty´four       hours    New      York    had    several     versions     of   the 

disappearance   and   return�察  �all   leading   to   one   common   pointthat   Diotti 

would give a concert the coming Tuesday evening。 

     The announcement of the reappearance of the Tuscan contained a line 

to the effect that the violinist would play for the first time his new suitea 

meditation on the emotions。 

     He had not seen Mildred。 

     As he came upon the stage that night the lights were turned low�察�and 

naught   but     the   shadowy   outlines      of   player   and   violin   were    seen。   His 

reception       by    the   audience      was     not    enthusiastic。      They     evidently 

remembered the disappointment caused by his unexpected disappearance�察�

but    this   unfriendly     attitude   soon    gave    way    to   evidences     of   kindlier 

feelings。 

     Mildred   was   there�察  �more   beautif
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