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                         The Fifth String 



The Fifth String 



             By John Philip Sousa 



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                                      The Fifth String 



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     The    coming     of  Diotti  to  America     had   awakened      more    than   usual 

interest in the man and his work。 His marvelous success as violinist in the 

leading   capitals   of   Europe�察  �together   with   many  brilliant   contributions   to 

the literature of his instrument�察�had long been favorably commented on by 

the critics of the old world。 Many stories of his struggles and his triumphs 

had found their way across the ocean and had been read and re´read with 

interest。 

     Therefore�察    �when     Mr。   Henry    Perkins�察   �the   well´known      impresario�察�

announced with an air of conscious pride and pardonable enthusiasm that 

he had secured Diotti for a ``limited'' number of concerts�察�Perkins' friends 

assured that wide´awake gentleman that his foresight amounted to positive 

genius�察�and they predicted an unparalleled success for his star。 On account 

of his wonderful ability as player�察�Diotti was a favorite at half the courts of 

Europe�察�and the astute Perkins enlarged upon this fact without regard for 

the feelings of the courts or the violinist。 

     On the night preceding Diotti's debut in New York�察�he was the center 

of attraction at a reception given by Mrs。 Llewellyn�察�a social leader�察�and a 

devoted patron of the arts。 The violinist made a deep impression on those 

fortunate enough to be near him during the even´ ing。 He won the respect 

of the men by his observations on matters of international interest�察�and the 

admiration      of  the   gentler   sex   by   his  chivalric    estimate    of  woman's 

influence in the world's progress�察�on which subject he talked with rarest 

good humor and delicately implied gallantry。 

     During one of those sudden and unexplainable lulls that always occur 

in   general   drawing´room   conversations�察  �Diotti   turned   to   Mrs。   Llewellyn 

and whispered�此 �`Who is the charming young woman just entering��'' 

     ``The beauty in white��'' 

     ``Yes�察�the beauty in white��'' softly echoing Mrs。 Llewellyn's query。 He 

leaned forward and with eager eyes gazed in admiration at the new´comer。 

He seemed hypnotized by the vision�察�which moved slowly from between 

the blue´tinted portieres and stood for the instant�察�a perfect embodiment of 

radiant womanhood�察�silhouetted against the silken drapery。 



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                                       The Fifth String 



     ``That   is   Miss   Wallace�察  �Miss   Mildred   Wallace�察  �only   child   of   one   of 

New York's prominent bankers。'' 

     ``She is beautifula queen by divine right��'' cried he�察�and then with a 

mingling of impetuosity and importunity�察�entreated his hostess to present 

him。 

     And thus they met。 

     Mrs。 Llewellyn's entertainments were celebrated�察�and justly so。 At her 

receptions one always heard the best singers and players of the season�察�and 

Epicurus'     soul   could    rest  in  peace�察   �for  her   chef   had   an   international 

reputation。 Oh�察�remember�察�you music´fed ascetic�察�many�察�aye�察�very  many�察�

regard   the   transition   from  Tschaikowsky   to   terrapin�察  �from   Beethoven   to 

burgundy with hearts aflame with anticipatory joyand Mrs。 Llewellyn's 

dining´room was crowded。 

     Miss Wallace and Diotti had wandered into the conservatory。 

     ``A desire for happiness is our common heritage��'' he was saying in his 

richly melodious voice。 

     ``But    to   define   what    constitutes    happiness      is  very   difficult��''  she 

replied。 

     ``Not   necessarily��''   he   went   on�察   �`if   the   motive   is   clearly   within   our 

grasp�察�the attainment is possible。'' 

     ``For example��'' she asked。 

     ``The miser is happy when he hoards his gold�察�the philanthropist when 

he    distributes    his。   The   attainment      is  identical�察  �but   the   motives     are 

antipodal。'' 

     ``Then     one   possessing      sufficient   motives     could   be   happy    without 

end��'' she suggested doubtingly。 

     ``That    is  my    theory。   The    Niobe    of  old   had   happiness     within    her 

power。'' 

     ``The gods thought not��'' said she�察 �`in their very pity they changed her 

into stone�察�and with streaming eyes she ever tells the story of her sorrow。'' 

     ``But are her children weeping��'' he asked。 ``I think not。 Happiness can 

bloom from the seeds of deepest woe��'' and in a tone almost reverential�察�he 

continued�此      �`I  remember      a  picture   in  one   of   our  Italian   galleries   that 

always   impressed   me   as   the   ideal   image   of   maternal   happiness。   It   is   a 



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                                         The Fifth String 



painting     of   the  Christ´mother       standing     by   the   body    of  the   Crucified。 

Beauty      was    still  hers�察  �and   the   dress    of  grayish    hue�察   �nun´like    in   its 

simplicity�察  �seemed   more   than   royal   robe。   Her   face�察  �illumined   as   with   a 

light   from  heaven�察 �seemed   inspired   with   this  thought�此   �They  have   killed 

Himthey have killed my son� �Oh�察�God�察�I thank Thee that His suffering is 

at   an   end��'   And   as   I   gazed   at   the   holy   face�察  �an´   other   light   seemed   to 

change   it   by   degrees   from   saddened   motherhood   to   triumphant   woman� �

Then came�此 �He is not dead�察�He but sleeps�察�He will rise again�察�for He is the 

best beloved of the Father��' '' 

     ``Still�察�fate can rob us of our patrimony��'' she replied�察�after a pause。 

     ``Not while life is here and eternity beyond��'' he said�察�reassuringly。 

     ``What if a soul lies dormant and will not arouse��'' she asked。 

     ``There are souls that have no motive low enough for earth�察�but only 

high enough for heaven��'' he said�察�with evident intention�察�looking almost 

directly at her。 

     ``Then one must come who speaks in nature's tongue��'' she continued。 

     ``And the soul will then awake��'' he added earnestly。 

     ``But is there such a one��'' she asked。 

     ``Perhaps��'' he almost whispered�察�his thought father to the wish。 

     ``I am afraid not��'' she sighed。 ``I studied drawing�察�worked diligently 

and�察    �I  hope�察   �intelligently�察   �and    yet   I  was    quickly     convinced       that  a 

counterfeit   presentment   of   nature   was   puny   and   insignificant。   I   painted 

Niagara。 My friends praised my effort。 I saw Niagara againI destroyed 

the picture。'' 

     ``But you must   be prepared to   accept the limitations   of man and   his 

work��'' said the philosophical violinist 

     ``Annihilation       of   one's   own    identity   in   the  moment      is  possible    in 

nature's domainnever in man's。 The resistless�察�never´ending rush of the 

waters�察  �madly   churning�察  �pitilessly   dashing   against   the   rocks   below�察  �the 

mighty roar of the loosened giant�察�that was Niagara。 My picture seemed 

but a smear of paint。'' 

     ``Still�察�man has won the admiration of man by his achievements��'' he 

said。 

     ``Alas�察�for me��'' she sighed�察 �`I have not felt it。'' 



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                                       The Fifth String 



     ``Surely you have been stirred by the wonders man has accomplished 

in music's realm��'' Diotti ventured。 

     ``I never have been。'' She spoke sadly and reflectively。 

     ``But does not the passion´laden theme of a master�察�or the marvelous 

feeling of a player awaken your emotions��'' persisted he。 

     She stood leaning lightly against a pillar by the fountain。 ``I never hear 

a   pianist�察  �however   great   and   famous�察  �but   I   see   the   little   cream´colored 

hammers within the piano bobbing up and down like acrobatic brownies。 I 

never hear the plaudits of the crowd for the artist and watch him return to 

bow   his   thanks�察  �but   I   mentally   demand   that   these   little   acrobats�察  �each 

resting on an individual pedestal�察�and weary from his efforts�察�shall appear 

to receive a share of the applause。 

     ``When I listen to a great singer��'' continued this world´defying skeptic�察�

``trilling like a thrush�察�scampering over the scales�察�I see a clumsy lot of ah�察�

ah�察�ahs�察�awkwardly�察�uncertainly ambling up the gamut�察�saying�察 �were it not 

for us she could not sing thusgive us our meed of praise。' '' 

     Slowly he replied�此 �`Masters have written in wondrous language and 

masters have played with wondrous power。'' 

     ``And I so long to hear��'' she said�察�almost plaintively。 ``I marvel at the 

invention of the composer an
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