嗔秤戻幣�哉膵�云利匈嬉蝕湊蛸賜�塋床四衲���萩晦編報炎嘔囚^泡仟 ̄云利匈�《超噌�殻窟�嵌虜隆輓麈觚翹瀘卉韮�仍仍�。� 烏御危列
湘弼慕汐 卦指云慕朕村 厘議慕尺 厘議慕禰 TXT畠云和墮 序秘慕杏 紗秘慕禰

how to tell stories to children-及3嫗

梓囚徒貧圭�鮗� ○ 賜 ★ 辛酔堀貧和鍬匈��梓囚徒貧議 Enter 囚辛指欺云慕朕村匈��梓囚徒貧圭�鮗� ● 辛指欺云匈競何��
!!!!隆堋響頼��紗秘慕禰厮宴和肝写偬堋響��



and the Crane The Crow and the Pitcher   The Cat and the Mouse The Fox and the Grapes     Snow´White and Rose´Red

SECOND GRADE The North Wind             The Lark and her Little The Mouse Pie                 Ones The Wonderful Traveler     The Wolf and the Goslings The Wolf and the Fox       The Ugly Duckling The Star Dollars           The Country Mouse and the The Water´Lil              City Mouse The Three Goats            The Three Little Pigs The Boy and the Nuts       Diamonds and Toads The Honest Woodman         The Thrifty Squirrel The Pied Piper             How the Robin's Breast King Midas                   became   Red The Town Musicians         The Old Woman and her Raggylug                      Pig Peter Rabbit               The Sleeping Apple The Boy who cried ;Wolf; The Cat and the Parrot

THIRD GRADE The Crane Express          How the Mole became Little Black Sambo               Blind The Lantern and the Fan    How Fire was brought to Why the Bear has a Short         the Indians     Tail                   Echo Why the Fox has a White    Piccola     Tip to his Tail        The Story of the Morning´ Why the Wren flies low        Glory Seed Jack and the Beanstalk     The Discontented Pine The Talkative Tortoise        Tree Fleet Wing and Sweet Voice The Bag of Winds The Golden Fleece          The Foolish Weather´Vane The Little Boy who wanted  The Shut´up Posy    the Moon                Pandora's Box Benjy in Beastland         The Little Match Girl Tomtit's Peep at the World

FOURTH GRADE Arachne                       The First Snowdrop The Porcelain Stove           The Three Golden Apples Moufflou                      Androclus and the Lion Clytie                        The Old Man and his The Legend of the Trailing       Donkey    Arbutus                     The Leak in the Dike Latona and the Frogs           King Tawny Mane Dick Whittington and his       The Little Lame Prince    Cat                         Appleseed John Dora�察�the Little Girl of the   Narcissus    Lighthouse                  Why the Sea is Salt Proserpine                     The Little Hero of Haarlem The Miraculous Pitcher The Bell of Justice



STORY´TELLING IN TEACHING ENGLISH

I have to speak now of a phase of elementary education which lies very close to my warmest interest�察�which�察�indeed�察�could easily become an active hobby if other interests did not beneficently tug at my skirts when I am minded to mount and ride too wildly。  It is the hobby of many of you who are teachers�察�also�察�and I know you want to hear it discussed。  I mean the growing effort to teach English and English literature to children in the natural way�此�by speaking and hearing��orally。

We are coming to a realization of the fact that our ability�察�as a people�察�to use English is pitifully inadequate and perverted。  Those Americans who are not blinded by a limited horizon of cultured acquaintance�察�and who have given themselves opportunity to hear the natural speech of the younger generation in varying sections of the United States�察�must admit that it is no exaggeration to say  that this country at large has no standard of English speech。  There is no general sense of responsibility to our mother tongue ��indeed�察�it is in an overwhelming degree not our mother tongue�� and no general appreciation of its beauty or meaning。  The average young person in every district save a half´dozen jealously guarded little precincts of good taste�察�uses inexpressive�察�ill´ bred words�察�spoken without regard to their just sound´effects�察�and in a voice which is an injury to the ear of the mind�察�as well as a torment to the physical ear。

The structure of the language and the choice of words are dark matters to most of our young Americans�察�this has long been acknowledged and struggled against。  But even darker�察�and quite equally destructive to English expression�察�is their state of mind regarding pronunciation�察�enunciation�察�and voice。  It is the essential connection of these elements with English speech that we have been so slow to realize。  We have felt that they were externals�察�desirable but not necessary adjuncts��pretty tags of an exceptional gift or culture。  Many an intelligent school director to´day will say�察 �I don't care  much about HOW you say a thing�察�it is WHAT you say that counts。;  He cannot see that voice and enunciation and pronunciation are essentials。  But they are。  You can no more help affecting the meaning of your words by the way you say them than you can prevent the expressions of your face from carrying a message�察�the message may be perverted by an uncouth habit�察�but it will no less surely insist on recognition。

The fact is that speech is a method of carrying ideas from one human soul to another�察�by way of the ear。  And these ideas are very complex。  They are not unmixed emanations of pure intellect�察�transmitted to pure intellect�此�they are compounded of emotions�察�thoughts�察�fancies�察�and are enhanced or impeded in transmission by the use of word´symbols which have acquired�察�by association�察�infinite complexities in themselves。  The mood of the moment�察�the especial weight of a turn of thought�察�the desire of the speaker to share his exact soul´concept with you��these seek far more subtle means than the mere rendering of certain vocal signs�察�they demand such variations and delicate  adjustments of sound as will inevitably affect the listening mind with the response desired。

There is no ;what; without the ;how; in speech。  The same written sentence becomes two diametrically opposite ideas�察�given opposing inflection and accompanying voice´effect。  ;He stood in the front rank of the battle; can be made praiseful affirmation�察�scornful skepticism�察�or simple question�察�by a simple varying of voice and inflection。  This is the more unmistakable way in which the ;how; affects the ;what。; Just as true is the less obvious fact。  The same written sentiment�察�spoken by Wendell Phillips and by a man from the Bowery or an uneducated ranchman�察�is not the same to the listener。  In one case the sentiment comes to the mind's ear with certain completing and enhancing qualities of sound which give it accuracy and poignancy。 The words themselves retain all their possible suggestiveness in the speaker's just and clear enunciation�察�and have a borrowed beauty�察�besides�察�from the associations of fine habit betrayed in the voice and manner of speech。  And�察�further�察�the immense personal equation shows itself in  the beauty and power of the vocal expressiveness�察�which carries shades of meaning�察�unguessed delicacies of emotion�察�intimations of beauty�察�to every ear。  In the other case�察�the thought is clouded by unavoidable suggestions of ignorance and ugliness�察�brought by the pronunciation and voice�察�even to an unanalytical ear�察�the meaning is obscured by inaccurate inflection and uncertain or corrupt enunciation�察�but�察�worst of all�察�the personal atmosphere�察�the aroma�察�of the idea has been lost in transmission through a clumsy�察�ill´fitted medium。

The thing said may look the same on a printed page�察�but it is not the same when spoken。  And it is the spoken sentence which is the original and the usual mode of communication。

The widespread poverty of expression in English�察�which is thus a matter of ;how�察─�and to which we are awakening�察�must be corrected chiefly�察�at least at first�察�by the common schools。  The home is the ideal place for it�察�but the average home of the United States is no longer a possible place for it。  The child of foreign parents�察�the child of parents little educated and bred in  limited circumstances�察�the child of powerful provincial influences�察�must all depend on the school for standards of English。

And it is the elementary school which must meet the need�察�if it is to be met at all。 For the conception of English expression which I am talking of can find no mode of instruction adequate to its meaning�察�save in constant appeal to the ear�察�at an age so early that unconscious habit is formed。  No rules�察�no analytical instruction in later development�察�can accomplish what is needed。 Hearing and speaking�察�imitating�察�unwittingly and wittingly�察�a good model�察�it is to this method we must look for redemption from present conditions。

I believe we are on the eve of a real revolution in English teaching��only it is a revolution which will not break the peace。 The new way will leave an overwhelming preponderance of oral methods in use up to the fifth or sixth grade�察�and will introduce a larger proportion of oral work than has ever been contemplated in grammar and high school work。  It will recognize the fact that English is primarily something spoken with the mouth and heard with the ear。  And this recognition will have greatest weight in the systems of elementary teaching。

It is as an aid in oral teaching of English that story´telling in school finds its second value�察�ethics is the first ground of its usefulness�察�English the second��and after these�察�the others。  It is�察�too�察�for the oral uses that the secondary forms of story´telling are so available。  By secondary I mean those devices which I have tried to indicate�察�as used by many American teachers�察�in the chapter on ;Specific Schoolroom Uses�察─�in my earlier book。  They are re´telling�察�dramatization�察�and forms of seat´work。 All of these are a great
卦指朕村 貧匯匈 和匯匈 指欺競何 壘��0�� 家��0��
隆堋響頼��紗秘慕禰厮宴和肝写偬堋響��
梁椣戻幣�� 梁心弌傍議揖扮窟燕得胎��傍竃徭失議心隈才凪万弌誌育断蛍�輌臆惨軼僑〃�燕慕得珊辛參資誼持蛍才将刮襲潜��範寔亟圻幹慕得 瓜寡追葎娼得辛參資誼寄楚署衛、持蛍才将刮襲潜填��