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ontext here requires TO TURN SHARPLY OR QUICKLY。

 Original has SIGHT。

 Original reads I。  The meaning seems to be�察 �I crave that my woes may be smothered in me�察�and I may be smothered in my grave。;

 Reverence。

 i。e。 in heaven。

 i。e。 than among human kind。

 It may be presumed that LUCASTA had adopted the name of CAELIA during her sylvan retreat。

 Impatient。

 Tranquil or secluded。



  TO ELLINDA�察�THAT LATELY I HAVE NOT WRITTEN。

                    I。 If in me anger�察�or disdaine In you�察�or both�察�made me refraine From th' noble intercourse of verse�察�That only vertuous thoughts rehearse�察  �Then�察�chaste Ellinda�察�might you feare   The sacred vowes that I did sweare。

                    II。 But if alone some pious thought Me to an inward sadnesse brought�察�Thinking to breath your soule too welle�察�My tongue was charmed with that spell�察  �And left it ��since there was no roome   To voyce your worth enough�� strooke dumbe。

                    III。 So then this silence doth reveal No thought of negligence�察�but zeal�此�For�察�as in adoration�察�This is love's true devotion�察  �Children and fools the words repeat�察  �But anch'rites pray in tears and sweat。



             ELLINDA'S GLOVE。                  SONNET。

                    I。 Thou snowy farme with thy five tenements�     �Tell thy white mistris here was one�察    �That call'd to pay his dayly rents�察�But she a´gathering flowr's and hearts is gone�察�And thou left voyd to rude possession。

                    II。 But grieve not�察�pretty Ermin cabinet�察    �Thy alabaster lady will come home�察    �If not�察�what tenant can there fit The slender turnings of thy narrow roome�察�But must ejected be by his owne dombe��

                    III。 Then give me leave to leave my rent with thee�此    �Five kisses�察�one unto a place�此    �For though the lute's too high for me�察�Yet servants�察�knowing minikin nor base�察�Are still allow'd to fiddle with the case。

 i。e。 the white glove of the lady with its five fingers。

 Doom。

 A description of musical pin attached to a lute。  It was only brought into play by accomplished musicians。  In the address of ;The Country Suiter to his Love�察─�printed in Cotgrave's WITS INTERPRETER�察�1662�察�p。 119�察�the man says��

    ;Fair Wench�  �I cannot court thy sprightly eyes      With a base´viol plac'd betwixt my thighs�察     �I cannot lisp�察�nor to a fiddle sing�察     �Nor run upon a high´strecht minikin。;

In Middleton's FAMILIE OF LOVE�察�1608 ��Works by Dyce�察�ii。 127�� there is the following passage��

    ;GUDGEON。    Ay�察�and to all that forswear marriage�察�and can be                  content with other men's wives。      GERARDINE。  Of which consort you two are grounds�察�one touches                  the bass�察�and the other tickles the minikin。;



             BEING TREATED。               TO ELLINDA。

  For cherries plenty�察�and for corans Enough for fifty�察�were there more on's�察�For elles of beere�察�flutes of canary�察�That well did wash downe pasties´Mary�察�For peason�察�chickens�察�sawces high�察�Pig�察�and the widdow´venson´pye�察�With certaine promise ��to your brother�� Of the virginity of another�察�Where it is thought I too may peepe in With knuckles far as any deepe in�察�For glasses�察�heads�察�hands�察�bellies full Of wine�察�and loyne right´worshipfull�察�Whether all of�察�or more behinda Thankes freest�察�freshest�察�faire Ellinda。 Thankes for my visit not disdaining�察�Or at the least thankes for your feigning�察�For if your mercy doore were lockt´well�察�I should be justly soundly knockt´well�察�Cause that in dogrell I did mutter Not one rhime to you from dam´Rotter。

  Next beg I to present my duty To pregnant sister in prime beauty�察�Whom well I deeme ��e're few months elder�� Will take out Hans from pretty Kelder�察�And to the sweetly fayre Mabella�察�A match that vies with Arabella�察�In each respect but the misfortune�察�Fortune�察�Fate�察�I thee importune。

  Nor must I passe the lovely Alice�察�Whose health I'd quaffe in golden chalice�察�But since that Fate hath made me neuter�察�I only can in beaker pewter�此�But who'd forget�察�or yet left un´sung The doughty acts of George the yong´son�拭�Who yesterday to save his sister Had slaine the snake�察�had he not mist her�此�But I shall leave him�察�'till a nag on He gets to prosecute the dragon�察�And then with helpe of sun and taper�察�Fill with his deeds twelve reames of paper�察�That Amadis�察�Sir Guy�察�and Topaz With his fleet neigher shall keep no´pace。   But now to close all I must switch´hard�察  。�Your�А�servant ever�察                        �LOVELACE RICHARD。

 This expression has reference to the old practice of drinking beer and wine out of very high glasses�察�with divisions marked on them。  A yard of ale is even now a well understood term�此�nor is the custom itself out of date�察�since in some parts of the country one is asked to take�察�not a glass�察�but A YARD。  The ell was of course�察�strictly speaking�察�a larger measure than a yard�察�but it was often employed as a mere synonyme or equivalent。  Thus�察�in MAROCCUS EXTATICUS�察�1595�察�Bankes says�此 �Measure�察�Marocco�察�nay�察�nay�察�they that take up commodities make no difference for measure between a Flemish elle and an English yard。;

 In the new edition of Nares ��1859���察�this very passage is quoted to illustrate the meaning of the word�察�which is defined rather vaguely to be A CASK。  Obviously the word signifies something of the kind�察�but the explanation does not at all satisfy me。  I suspect that a flute OF CANARY was so called from the cask having several vent´holes�察�in the same way that the French call a lamprey FLEUTE D'ALEMAN from the fish having little holes in the upper part of its body。

 Forsyth�察�in his ANTIQUARY'S PORTFOLIO�察�1825�察�mentions certain ;glutton´feasts�察─�which used formerly to be celebrated periodically in honour of the Virgin�察�perhaps the pasties used on these occasions were thence christened PASTIES´MARY。

 Venison pies or pasties were the most favourite dish in this country in former times�察�innumerable illustrations might be furnished of the high esteem in which this description of viand was held by our ancestors�察�who regarded it as a thoroughly English luxury。  The anonymous author of HORAE SUBSECIVAE�察�1620�察�p。 38 ��this volume is supposed to have been written by Giles Brydges�察�Lord Chandos���察�describes an affected Englishman who has been travelling on the Continent�察�as ;sweating at the sight of a pasty of venison�察─�and as ;swearing that the only delicacies be mushrooms�察�or CAVIARE�察�or snayles。;

   ;The full´cram'd dishes made the table crack�察    �Gammons of bacon�察�brawn�察�and what was chief�察    �King in all feasts�察�a tall Sir Loyne of BEEF�察    �Fat venison pasties smoaking�察�'tis no fable�察    �Swans in their broath came swimming to the table。;       Poems of Ben Johnson Junior�察�by W。 S。 1672�察�p。 3。

 An allusion to the scantiness of forks。  ;And when your justice of peace is knuckle´deep in goose�察�you may without disparagement to your blood�察�though you have a lady to your mother�察�fall very manfully to your woodcocks。; Decker's GULS HORN BOOK�察�1609�察�ed。 Nott�察�p。 121。

  ;Hodge。  Forks� �what be they�拭   �Mar。    The laudable use of forks�察           �Brought into custom here�察�as they are in Italy�察           �To the sparing of napkins;              Jonson's THE DEVIL IS AN ASS�察�act。 v。 scene 4。

  ;Lovell。  Your hand�察�good sir。    Greedy。  This is a lord�察�and some think this a favour�察            �But I had rather have my hand in my dumpling。;               Massinger's NEW WAY TO PAY OLD DEBTS�察�1633。

 The sirloin of beef。

 Rotterdam。

 AMADIS DE GAULE。  The translation of this romance by Anthony Munday and two or three others�察�whose assistance he obtained�察�made it popular in England�察�although�察�perhaps with the exception of the portion executed by Munday himself�察�the performance is beneath criticism。



               TO ELLINDA。          VPON HIS LATE RECOVERY。                A PARADOX。

                    I。 How I grieve that I am well�   �All my health was in my sicknes�察�Go then�察�Destiny�察�and tell�察  �Very death is in this quicknes。

                    II。 Such a fate rules over me�察  �That I glory when I languish�察�And do blesse the remedy�察  �That doth feed�察�not quench my anguish。

                    III。 'Twas a gentle warmth that ceas'd   In the vizard of a feavor�察�But I feare now I am eas'd   All the flames�察�since I must leave her。

                    IV。 Joyes�察�though witherd�察�circled me�察  �When unto her voice inured Like those who�察�by harmony�察  �Only can be throughly cured。

                    V。 Sweet�察�sure�察�was that malady�察  �Whilst the pleasant angel hover'd�察�Which ceasing they are all�察�as I�察  �Angry that they are recover'd。

                    VI。 And as men in hospitals�察  �That are maim'd�察�are lodg'd and dined�察�But when once their danger fals�察  �Ah th' are healed to be pined��

                    VII。 Fainting so�察�I might before   Sometime have the leave to hand her�察�But lusty�察�am beat out of dore�察  �And for Love compell'd to wander。



  TO CHLOE�察�COURTING HER FOR HIS FRIEND。

                    I。 Chloe�察�behold� �againe I bowe�此�Againe possest�察�againe I wo
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