嗔秤戻幣�哉膵�云利匈嬉蝕湊蛸賜�塋床四衲���萩晦編報炎嘔囚^泡仟 ̄云利匈�《超噌�殻窟�嵌虜隆輓麈觚翹瀘卉韮�仍仍�。� 烏御危列
湘弼慕汐 卦指云慕朕村 厘議慕尺 厘議慕禰 TXT畠云和墮 序秘慕杏 紗秘慕禰

stories by english authors in france(唾隈哂忽恬社議絞並)-及16嫗

梓囚徒貧圭�鮗� ○ 賜 ★ 辛酔堀貧和鍬匈��梓囚徒貧議 Enter 囚辛指欺云慕朕村匈��梓囚徒貧圭�鮗� ● 辛指欺云匈競何��
!!!!隆堋響頼��紗秘慕禰厮宴和肝写偬堋響��




stories about nothing�察�the wearisome recitals of petty grievances�察�the local 

anecdotes   unrelieved   by   the   faintest   suspicion   of   anything   like   general 

interest�察   �which    I  have    been   condemned        to  hear�察  �as  a  consequence       of 

thawing      the   ice  off  the   features    of  formal    sitters  by   the   method     just 

described�察  �would   fill   hundreds   of   volumes   and   promote   the   repose   of 

thousands   of   readers。   On   the   other   hand�察  �if   I   have   suffered   under   the 

tediousness of the many�察�I have not been without my compensating gains 

from the wisdom and experience of the few。 To some of my sitters I have 

been indebted for information which has enlarged my mind�察�to some for 

advice   which   has   lightened   my   heart�察  �to   some   for   narratives   of   strange 

adventure   which   riveted   my   attention   at   the   time�察  �which   have   served   to 

interest and amuse my fireside circle for many years past�察�and which are 

now�察  �I   would   fain   hope�察  �destined   to   make   kind   friends   for   me   among   a 

wider audience than any that I have yet addressed。 

     Singularly enough�察 �almost all   the best stories that   I have   heard   from 

my sitters have been told by accident。 I only remember two cases in which 

a   story   was    volunteered      to  me�察   �and�察  �although     I  have   often   tried   the 

experiment�察�I cannot call to mind even a single instance in which leading 

questions   ��as   lawyers   call   them��   on   my   part�察  �addressed   to   a   sitter�察  �ever 

produced   any   result   worth   recording。   Over   and   over   again   I   have   been 

disastrously  successful   in   encouraging dull   people to   weary  me。  But   the 

clever people who have something interesting to say seem�察�so far as I have 



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observed them�察�to acknowledge no other stimulant than chance。 For every 

story�察  �excepting   one�察  �I   have   been   indebted�察  �in   the   first   instance�察  �to   the 

capricious   influence   of   the   same   chance。   Something   my   sitter   has   seen 

about me�察�something I have remarked in my sitter�察�or in the room in which 

I take the likeness�察�or in the neighbourhood through which I pass on my 

way to work�察 �has suggested the   necessary association�察�or has started the 

right train of recollections�察�and then the story appeared to begin of its own 

accord。   Occasionally   the   most   casual   notice�察  �on   my   part�察  �of   some   very 

unpromising object has smoothed the way for the relation of a long and 

interesting narrative。 I first heard one of the most dramatic stories merely 

through     being    carelessly    inquisitive    to  know     the  history    of  a  stuffed 

poodle´dog。 

     It is thus not without reason that I lay some stress on the desirableness 

of   prefacing   the   following   narrative   by   a   brief   account   of   the   curious 

manner in which I became possessed of it。 As to my capacity for repeating 

the story correctly�察�I can answer for it that my memory may be trusted。 I 

may claim it   as a   merit�察�because   it is�察  �after all�察  �a mechanical one�察�that   I 

forget nothing�察�and that I can call long´ past conversations and events as 

readily to my recollection as if they had happened but a few weeks ago。 Of 

two things at least I feel tolerably certain before´hand�察�in meditating over 

its   contents�此  �first�察  �that   I   can   repeat   correctly   all   that   I   have   heard�察  �and�察�

secondly�察�that I have never missed anything worth hearing when my sitters 

were addressing me on an interesting subject。 Although I cannot take the 

lead in talking while I am engaged in painting�察�I can listen while others 

speak�察�and work all the better for it。 

     So   much   in   the   way  of   general   preface   to   the   pages   for   which   I   am 

about to ask the reader's attention。 Let me now advance to particulars�察�and 

describe how I came to hear the story。 I begin with it because it is the story 

that   I  have    oftenest   ;rehearsed�察─    �to   borrow    a  phrase    from    the   stage。 

Wherever I go�察�I am sooner or later sure to tell it。 Only last night I was 

persuaded into repeating it once more by the inhabitants of the farm´house 

in which I am now staying。 

     Not many years ago�察�on returning from a short holiday visit to a friend 

settled in Paris�察�I found professional letters awaiting me at my agent's in 



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London�察  �which   required   my   immediate   presence   in   Liverpool。   Without 

stopping     to  unpack�察    �I  proceeded     by  the   first  conveyance     to  my    new 

destination�察    �and�察   �calling   at  the   picture´dealer's     shop   where     portrait´ 

painting engagements were received for me�察�found to my great satisfaction 

that I had remunerative employment in prospect�察�in and about Liverpool�察�

for at least two months to come。 I was putting up my letters in high spirits�察�

and was just leaving the picture´dealer's shop to look out for comfortable 

lodgings�察�when I was met at the door by the landlord of one of the largest 

hotels in Liverpoolan old acquaintance whom I had known as manager 

of a tavern in London in my student days。 

     ;Mr。     Kerby� ─    �he   exclaimed�察     �in   great   astonishment。       ;What     an 

unexpected meeting�   �the last   man   in   the world   whom  I   expected to see�察�

and yet the very man whose services I want to make use of� ─�

     ;What� �more   work   for me�拭─  �said   I。 ;Are   all   the people   in   Liverpool 

going to have their portraits painted�拭─�

     ;I only know of one�察─�replied the landlord�察 �a gentleman staying at my 

hotel�察�who wants a chalk drawing done of him。 I was on my way here to 

inquire for any artist whom our picture´dealing friend could recommend。 

How glad I am that I met you before I had committed myself to employing 

a stranger� ─�

     ;Is this likeness wanted at once�拭─�I asked�察�thinking of the number of 

engagements that I had already got in my pocket。 

     ;Immediatelyto´daythis   very   hour�察  �if   possible�察─  �said   the   landlord。 

;Mr。     Faulkner�察   �the  gentleman      I  am   speaking     of�察 �was   to  have    sailed 

yesterday for the Brazils from this place�察�but the wind shifted last night to 

the   wrong   quarter�察  �and   he   came   ashore   again   this   morning。   He   may�察  �of 

course�察�be detained here for some time�察�but he may also be called on board 

ship   at   half   an   hour's   notice�察  �if   the   wind   shifts   back   again   in   the   right 

direction。     This   uncertainty    makes     it  a  matter   of  importance      that  the 

likeness should be begun immediately。 Undertake it if you possibly  can�察�

for Mr。 Faulkner is a liberal gentleman�察�who is sure to give you your own 

terms。; 

     I reflected for a minute or two。 The portrait was only wanted in chalk�察�

and would not take long�察�besides�察�I might finish it in the evening�察�if my 



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other engagements pressed hard upon me in the daytime。 Why not leave 

my luggage at the picture´dealer's�察�put off looking for lodgings till night�察�

and   secure   the   new   commission   boldly   by   going   back   at   once   with   the 

landlord to the hotel�拭�I decided on following this course almost as soon as 

the   idea   occurred   to   me�察  �put   my   chalks   in   my   pocket�察  �and   a   sheet   of 

drawing´paper   in   the   first   of   my   portfolios   that   came   to   hand�察  �and   so 

presented myself before Mr。 Faulkner�察�ready to take his likeness�察�literally 

at five minutes' notice。 

     I found him a very pleasant�察�intelligent man�察�young and handsome。 He 

had been a great traveller�察�had visited all the wonders of the East�察�and was 

now about to explore the wilds of the vast South American continent。 Thus 

much      he  told   me   good´humouredly          and   unconstrainedly      while    I  was 

preparing my drawing materials。 

     As soon as I had put him in the right light and position�察�and had seated 

myself opposite to him�察�he changed the subject of conversation�察�and asked 

me�察  �a   little   confusedly   as   I   thought�察  �if   it   was   not   a   customary   practice 

among portrait´painters to gloss over the faults in their sitters' faces�察�and to 

make as much as possible of any good points which their features might 

possess。 

     ;Certainly�察─     �I  answered。     ;You    have    described     the   whole    art   and 

mystery of successful portrait´painting in a few words。; 

     ;May      I  beg�察 �then�察─  �said   he�察  �that   you   will 
卦指朕村 貧匯匈 和匯匈 指欺競何 壘��0�� 家��0��
隆堋響頼��紗秘慕禰厮宴和肝写偬堋響��
梁椣戻幣�� 梁心弌傍議揖扮窟燕得胎��傍竃徭失議心隈才凪万弌誌育断蛍�輌臆惨軼僑〃�燕慕得珊辛參資誼持蛍才将刮襲潜��範寔亟圻幹慕得 瓜寡追葎娼得辛參資誼寄楚署衛、持蛍才将刮襲潜填��