嗔秤戻幣�哉膵�云利匈嬉蝕湊蛸賜�塋床四衲���萩晦編報炎嘔囚^泡仟 ̄云利匈�《超噌�殻窟�嵌虜隆輓麈觚翹瀘卉韮�仍仍�。� 烏御危列
湘弼慕汐 卦指云慕朕村 厘議慕尺 厘議慕禰 TXT畠云和墮 序秘慕杏 紗秘慕禰

the book of tea(画慕)-及6嫗

梓囚徒貧圭�鮗� ○ 賜 ★ 辛酔堀貧和鍬匈��梓囚徒貧議 Enter 囚辛指欺云慕朕村匈��梓囚徒貧圭�鮗� ● 辛指欺云匈競何��
!!!!隆堋響頼��紗秘慕禰厮宴和肝写偬堋響��




citizenship。      Hide    yourself    under    a   bushel    quickly�察   �for  if  your    real 

usefulness were known to the world you would soon be knocked down to 

the highest bidder by the public auctioneer。 Why do men and women like 

to advertise themselves so much�拭�Is it not but an instinct derived from the 

days of slavery�拭�

     The virility of the idea lies not less in its power of breaking through 

contemporary        thought     than   in  its  capacity    for  dominating      subsequent 

movements。        Taoism was an active power during                the Shin dynasty�察�that 



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epoch of Chinese unification from which we derive the name China。                             It 

would be   interesting   had   we   time   to   note   its   influence   on   contemporary 

thinkers�察  �the   mathemeticians�察  �writers   on   law   and   war�察  �the   mystics   and 

alchemists and   the  later  nature´poets   of   the Yangste´Kiang。               We   should 

not even ignore those speculators on Reality who doubted whether a white 

horse   was   real   because   he   was   white�察  �or   because   he   was   solid�察  �nor   the 

Conversationalists   of   the   Six   dynasties   who�察  �like   the   Zen   philosophers�察�

revelled in discussions concerning the Pure and the Abstract。                      Above all 

we     should    pay   homage      to   Taoism     for  what    it  has   done    toward     the 

formation   of   the   Celestial   character�察  �giving   to   it   a   certain   capacity   for 

reserve   and   refinement   as   ;warm   as   jade。;        Chinese   history   is   full   of 

instances     in   which    the   votaries   of   Taoism�察    �princes   and    hermits    alike�察�

followed   with   varied   and interesting   results   the teachings of   their   creed。 

The tale will not be without its quota of instruction and amusement。 It will 

be   rich   in   anecdotes�察  �allegories�察  �and   aphorisms。       We   would   fain   be   on 

speaking terms with the delightful emperor who never died because he had 

never   lived。     We   may  ride   the   wind   with   Liehtse   and   find it   absolutely 

quiet because we ourselves are the wind�察�or dwell in mid´air with the Aged 

one   of   the   Hoang´Ho�察  �who   lived   betwixt   Heaven   and   Earth   because   he 

was   subject   to   neither   the   one   nor   the   other。    Even   in   that   grotesque 

apology   for   Taoism   which   we   find   in   China   at   the   present   day�察  �we   can 

revel in a wealth of imagery impossible to find in any other cult。 

     But   the   chief   contribution   of   Taoism   to Asiatic   life   has   been   in   the 

realm of aesthetics。 Chinese historians have always spoken of Taoism as 

the ;art of being in the world�察─�for it deals with the presentourselves。                    It 

is in us that God meets with Nature�察�and yesterday parts from to´morrow。 

The Present is the moving Infinity�察�the legitimate sphere of the Relative。 

Relativity seeks        Adjustment�察�Adjustment is Art。             The art of life lies in a 

constant readjustment to our surroundings。                 Taoism accepts the mundane 

as it is and�察�unlike the Confucians or the Buddhists�察�tries to find beauty in 

our   world   of   woe   and   worry。     The   Sung   allegory   of   the Three   Vinegar 

Tasters explains admirably the trend of the three doctrines。                     Sakyamuni�察�

Confucius�察�and Laotse once stood before a jar of vinegarthe emblem of 

lifeand each dipped in his finger to taste the brew。                  The matter´of´fact 



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Confucius       found    it  sour�察   �the   Buddha     called    it  bitter�察 �and    Laotse 

pronounced it sweet。 

     The   Taoists   claimed   that   the   comedy   of   life   could   be   made     more 

interesting     if  everyone      would     preserve     the   unities。    To     keep    the 

proportion   of   things   and   give   place   to   others   without   losing   one's   own 

position was the secret of success in the mundane drama。                  We must know 

the   whole   play   in   order   to   properly   act  our   parts�察  �the   conception   of 

totality    must    never   be   lost   in  that  of   the   individual。     This    Laotse 

illustrates   by   his   favourite   metaphor   of   the   Vacuum。      He   claimed   that 

only in vacuum lay the truly essential。           The reality of a room�察�for instance�察�

was to be found in the vacant space enclosed by the roof and the walls�察�not 

in the roof and walls themselves。           The usefulness of a water pitcher dwelt 

in the emptiness where water might be put�察�not in the form of the pitcher 

or the material of which it was made。               Vacuum is all potent because all 

containing。      In vacuum alone motion becomes possible。                 One who could 

make   of   himself   a   vacuum   into   which   others   might   freely   enter   would 

become   master   of   all   situations。     The   whole   can   always   dominate   the 

part。 

     These Taoists' ideas have greatly influenced all our theories of action�察�

even to those of fencing and wrestling。             Jiu´jitsu�察�the Japanese art of self´ 

defence�察�owes its   name   to   a  passage  in the Tao´teking。           In   jiu´jitsu  one 

seeks   to   draw   out   and   exhaust   the   enemy's   strength   by   non´resistance�察�

vacuum�察     �while    conserving     one's  own    strength    for  victory   in  the   final 

struggle。     In   art   the   importance   of   the   same   principle   is illustrated   by 

the   value   of   suggestion。    In   leaving   something   unsaid   the   beholder   is 

given     a  chance     to  complete     the   idea   and   thus   a   great   masterpiece 

irresistably rivets your attention until you seem to become actually a part 

of it。   A vacuum is there for you to enter and fill up the full measure of 

your aesthetic emotion。 

     He whohad made himself master of the art of living was the Real man 

of the Taoist。      At birth he enters the realm of dreams only to awaken to 

reality   at  death。    He    tempers     his  own    brightness      in  order   to  merge 

himself into the obscurity of others。          He is ;reluctant�察�as one who crosses 

a   stream    in  winter�察   �hesitating    as  one   who     fears  the   neighbourhood�察�



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respectful�察     �like   a  guest�察   �trembling�察    �like   ice   that   is  about     to  melt�察�

unassuming�察  �like   a   piece   of   wood   not   yet   carved�察  �vacant�察  �like   a   valley�察�

formless�察�like troubled waters。;            To him the three jewls of life were Pity�察�

Economy�察�and Modesty。 

     If   now     we   turn   our    attention    to  Zennism      we    shall   find   that   it 

emphasises   the   teachings   of   Taoism。         Zen   is   a   name   derived   from   the 

Sanscrit word Dhyana�察�which signifies meditation。                   It claims that through 

consecrated        meditation       may     be    attained     supreme       self´realisation。 

Meditation   is   one   of   the   six   ways   through   which   Buddhahood   may   be 

reached�察�and the Zen sectarians affirm that Sakyamuni laid special stress 

on this method in his later teachings�察�handing down the rules to his chief 

disciple   Kashiapa。        According   to   their   tradition   Kashiapa�察  �the   first   Zen 

patriarch�察  �imparted   the   secret   to   Ananda�察  �who   in   turn   passed   it   on   to 

successive   patriarchs   until   it   reached   Bodhi´Dharma�察  �the   twenty´eighth。 

Bodhi´Dharma   came           to   Northern    China     in   the  early   half   of  the  sixth 

century     and    was   the   first  patriarch    of   Chinese     Zen。    There     is  much 

uncertainty about         the history of these patriarchs and their doctrines。               In 

its philosophical aspect early Zennism seems to have affinity on one hand 

to   the   Indian   Negativism   of   Nagarjuna   and         on   the   other   to  the   Gnan 

philosophy formulated by Sancharacharya。 The first teaching of Zen as we 

know it at the present day must be attributed to the sixth Chinese patriarch 

Yeno��637´713���察  �founder   of   Southern   Zen�察  �so´called   from   the   fact   of   its 

predominance   in   Southern   China。           He   is   closely   followed   by   the   great 

Baso��died   788��   who   made   of   Zen   a   living        influence   in   Celestial   life。 

Hiakujo��719´814�� the pupil of Baso�察�first instituted the Zen monastery and 

established a ritual and regulations fo
卦指朕村 貧匯匈 和匯匈 指欺競何 壘��0�� 家��0��
隆堋響頼��紗秘慕禰厮宴和肝写偬堋響��
梁椣戻幣�� 梁心弌傍議揖扮窟燕得胎��傍竃徭失議心隈才凪万弌誌育断蛍�輌臆惨軼僑〃�燕慕得珊辛參資誼持蛍才将刮襲潜��範寔亟圻幹慕得 瓜寡追葎娼得辛參資誼寄楚署衛、持蛍才将刮襲潜填��