嗔秤戻幣�哉膵�云利匈嬉蝕湊蛸賜�塋床四衲���萩晦編報炎嘔囚^泡仟 ̄云利匈�《超噌�殻窟�嵌虜隆輓麈觚翹瀘卉韮�仍仍�。� 烏御危列
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the book of tea(画慕)-及4嫗

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!!!!隆堋響頼��紗秘慕禰厮宴和肝写偬堋響��




lips    and   throat�察  �the   second    cup    breaks    my   loneliness�察    �the   third  cup 

searches my barren entrail but to find therein some five thousand volumes 

of   odd   ideographs。      The   fourth   cup   raises   a   slight   perspiration��all   the 

wrong   of   life   passes   away   through   my   pores。        At   the   fifth   cup   I   am 

purified�察  �the   sixth   cup   calls   me   to   the   realms   of   the   immortals。    The 

seventh cupah�察�but I could take no more�                �I only feel the breath of cool 

wind that rises in my sleeves。            Where is Horaisan�拭         �Let me ride on this 

sweet breeze and waft away thither。; 

     The remaining chapters of the ;Chaking; treat of the vulgarity of the 

ordinary methods of tea´drinking�察�a historical summary of illustrious tea´ 

drinkers�察�the famous tea plantations of              China�察�the possible variations of 

the    tea´service      and    illustrations    of   the   tea´utensils。       The     last   is 

unfortunately lost。 

     The   appearance   of   the   ;Chaking;   must   have   created           considerable 

sensation   at   the   time。    Luwuh   was   befriended   by   the   Emperor   Taisung 

��763´779���察     �and   his   fame    attracted    many     followers。     Some      exquisites 

were said to have been able to detect the tea made by Luwuh from that of 

his disciples。  One mandarin   has his name   immortalised by his   failure to 

appreciate the tea of this great master。 

     In the Sung dynasty the whipped tea came into fashion and created the 

second school of Tea。          The leaves were ground to fine powder in a small 

stone   mill�察  �and   the   preparation   was   whipped   in   hot   water   by   a   delicate 

whisk made of split bamboo。 The new process led to some change in the 

tea´equippage   of   Luwuh�察  �as   well   as   in   the   choice   of   leaves。     Salt   was 

discarded forever。         The enthusiasm of the Sung people for tea knew no 

bounds。      Epicures vied with each other in discovering new varieties�察�and 

regular tournaments were held to decide their superiority。                    The Emperor 

Kiasung   ��1101´1124���察  �who   was   too   great   an   artist   to   be   a   well´behaved 

monarch�察 �lavished   his        treasures   on   the   attainment   of   rare   species。   He 

himself wrote a dissertation on the twenty kinds of tea�察�among which he 

prizes the ;white tea; as of the rarest and finest quality。 

     The tea´ideal of the Sungs differed from the Tangs even as their notion 



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of life differed。     They sought to actualize what their predecessors tried to 

symbolise。      To the Neo´Confucian mind the cosmic law was not reflected 

in the phenomenal world�察�but the phenomenal world was the cosmic law 

itself。   Aeons      were   but   momentsNirvana   always   within   grasp。         The 

Taoist conception that immortality lay in the eternal change permeated all 

their   modes   of   thought。    It   was   the   process�察  �not   the   deed�察  �which   was 

interesting。     It was the completing�察�not the completion�察�which was really 

vital。   Man came thus at once face to face with nature。               A new meaning 

grew into the art of life。       The tea began to be not a poetical pastime�察�but 

one   of   the   methods   of   self´realisation。   Wangyucheng   eulogised   tea   as 

;flooding his soul like a direct appeal�察�that its delicate bitterness reminded 

him of the aftertaste of a good counsel。;           Sotumpa wrote of         the strength 

of   the   immaculate     purity   in  tea   which    defied    corruption     as  a  truly 

virtuous     man。    Among       the  Buddhists�察    �the   southern    Zen   sect�察 �which 

incorporated so much of Taoist doctrines�察�formulated an elaborate ritual of 

tea。    The monks gathered before the image of Bodhi Dharma and drank 

tea out of a single bowl with the profound formality of a               holy sacrament。 

It was this Zen ritual which finally developed              into the Tea´ceremony of 

Japan in the fifteenth century。 

     Unfortunately       the  sudden     outburst    of  the   Mongol      tribes   in  the 

thirteenth    century    which    resulted   in  the  devastation    and   conquest     of 

China   under   the   barbaric   rule   of   the Yuen   Emperors�察    �destroyed   all   the 

fruits   of   Sung    culture。    The     native   dynasty     of   the    Mings    which 

attempted   re´nationalisation   in   the   middle      of   the   fifteenth   century   was 

harassed by internal troubles�察�and China again fell under the alien rule of 

the Manchus in the seventeenth century。              Manners and customs changed 

to leave no vestige of the former times。             The powdered tea is          entirely 

forgotten。     We find a Ming commentator at loss to recall the shape of the 

tea whisk   mentioned in one of the Sung   classics。             Tea   is now   taken   by 

steeping the leaves in hot water in a bowl or cup。                The reason why the 

Western world is innocent of the older method of drinking tea is explained 

by the fact that Europe knew it only at the close of the Ming dynasty。 

     To the latter´day Chinese tea is a delicious beverage�察�but not an ideal。 

The long woes of his country have robbed him of the zest for the meaning 



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                                       The Book of Tea 



of life。    He has become modern�察�that is to say�察�old and disenchanted。                   He 

has lost that sublime faith in illusions which constitutes the eternal youth 

and   vigour   of   the   poets   and   ancients。     He   is   an  eclectic   and   politely 

accepts the traditions of the universe。 He toys with Nature�察�but does not 

condescend to conquer or worship her。                His Leaf´tea is often wonderful 

with     its  flower´like    aroma�察   �but   the   romance      of  the   Tang    and   Sung 

ceremonials are not to be found in his cup。 

     Japan�察�which followed closely on the footsteps of Chinese civilisation�察�

has known the tea in all its three stages。           As early as the year 729 we read 

of the Emperor Shomu giving              tea to one hundred monks at his palace in 

Nara。     The   leaves     were   probably  imported   by  our   ambassadors   to   the 

Tang   Court   and   prepared   in   the   way  then   in   fashion。    In   801   the   monk 

Saicho brought back some seeds and planted them in Yeisan。                       Many tea´ 

gardens are heard of in succeeding centuries�察�as               well as the delight of the 

aristocracy and priesthood in the           beverage。       The Sung tea reached us in 

1191 with the return of Yeisai´zenji�察�who went there to study the southern 

Zen   school。      The   new   seeds   which   he   carried   home   were   successfully 

planted in three places�察�one of which�察�the Uji district near Kioto�察�bears still 

the   name     of   producing   the   best   tea   in  the   world。   The    southern     Zen 

spread with marvellous rapidity�察�and with it the tea´ritual and the tea´ideal 

of the Sung。      By the fifteenth century�察�under the patronage of the Shogun�察�

Ashikaga´Voshinasa�察�the tea ceremony is fully constituted and made into 

an    independent      and   secular    performance。      Since    then   Teaism     is  fully 

established   in   Japan。      The   use   of   the   steeped   tea   of   the   later   China   is 

comparatively recent among us�察�being only known since the middle of the 

seventeenth       century。     It   has   replaced    the   powdered      tea   in  ordinary 

consumption�察�though the latter still continues to hold its place as the tea of 

teas。 

     It is in the Japanese tea ceremony that we see the culmination of tea´ 

ideals。    Our   successful   resistance   of   the   Mongol   invasion   in   1281   had 

enabled us to carry on the Sung movement so disastrously cut off in China 

itself   through   the   nomadic   inroad。       Tea   with   us   became   more   than   an 

idealisation of the form of drinking�察�it is a religion of the art of life。               The 

beverage grew to be an excuse for the worship of purity and refinement�察�a 



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sacred   function   at   which   the   host   and   guest   joined   to   produce   for   that 

occasion   the   utmost   beatitude   of   the   mundane。           The   tea´room   was   an 

oasis in the dreary waste of existence where weary travellers could meet to 

drink from the common spring of art´ appreciation。                       The ceremony was 

an   improvised   drama   whose   plot   was   wo
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隆堋響頼��紗秘慕禰厮宴和肝写偬堋響��
梁椣戻幣�� 梁心弌傍議揖扮窟燕得胎��傍竃徭失議心隈才凪万弌誌育断蛍�輌臆惨軼僑〃�燕慕得珊辛參資誼持蛍才将刮襲潜��範寔亟圻幹慕得 瓜寡追葎娼得辛參資誼寄楚署衛、持蛍才将刮襲潜填��