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natural gift。      Such work as ;King Luckieboy's Party; was a revelation in 

the way of toy books�察�while the ;Baby's Opera; and ;Baby's Bouquet; are 

petits   chefs   d'oeuvre�察  �of   which   the   sagacious   collector   will   do   well   to 

secure   copies�察  �not   for   his   nursery�察  �but   his   library。    Nor   can   his   ;Mrs。 

Mundi      at  Home;      be   neglected     by   the   curious    in  quaint    and   graceful 

invention。   ��14��       Another   bookthe   ;Under   the  Window;   of   Miss   Kate 

Greenawaycomes within the same category。                    Since Stothard�察�no one has 

given   us   such   a   clear´eyed�察  �soft´faced�察  �happy´hearted   childhood�察  �or   so 

poetically ;apprehended; the coy reticences�察�the simplicities�察�and the small 

solemnities   of   little   people。      Added   to   this�察  �the   old´world   costume   in 

which she usually elects to clothe her characters�察�lends an arch piquancy 

of   contrast   to   their   innocent   rites   and   ceremonies。      Her   taste   in   tinting�察�



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too�察  �is   very   sweet   and   spring´like�察  �and   there   is   a   fresh�察  �pure   fragrance 

about all her pictures as of new´gathered nosegays�察�or�察�perhaps�察�looking to 

the fashions that she favours�察�it would be better to say ;bow´pots。;                     But 

the latest ;good genius; of this branch of book´illustrating is Mr。 Randolph 

Caldecott�察     �a  designer    assuredly     of   the  very    first  order。   There      is  a 

spontaneity of fun�察�an unforced invention about everything he does�察�that is 

infinitely   entertaining。      Other   artists   draw   to   amuse   us�察  �Mr。   Caldecott 

seems to draw to amuse himself��and this is his charm。                  One feels that he 

must     have   chuckled     inwardly     as  he   puffed    the  cheeks    of   his  ;Jovial 

Huntsmen�察─�or sketched that inimitably complacent dog in the ;House that 

Jack Built�察─�or exhibited the exploits of the immortal ;train´ band captain; 

of    ;famous     London      town。;     This    last   is  his  masterpiece。       Cowper 

himself     must    have    rejoiced   at  it��and   Lady    Austen。      There     are  two 

sketches      in  this  bookthey      occupy     the   concluding     pageswhich       are 

especially   fascinating。       On    one�察  �John    Gilpin�察  �in  a  forlorn   and   flaccid 

condition�察     �is  helped    into   the   house    by   the   sympathising       ��and   very 

attractive��   Betty�察  �on   the   other   he   has   donned   his   slippers�察  �refreshed   his 

inner man with a cordial�察�and over the heaving shoulder of his ;spouse�察─�

who lies dissolved upon his martial bosom�察�he is taking the spectators into 

his confidence with a wink   worthy of the late Mr。  Buckstone。                     Nothing 

more     genuine�察    �more    heartily   laughable�察    �than   this   set  of  designs     has 

appeared in our day。         And Mr。 Caldecott has few limitations。                Not only 

does     he   draw    human      nature    admirably�察    �but   he   draws     animals    and 

landscapes equally well�察�so one may praise him without reserve。                     Though 

not   children's   books�察  �mention   should   here   be   made   of   his   ;Bracebridge 

Hall�察─   �and   ;Old    Christmas�察─    �the   illustrations   to  which    are   the  nearest 

approach to that beau´ideal�察  �perfect sympathy  between the   artist and the 

author�察�with which the writer is acquainted。              The cut on page 173 is from 

the former of these works。 

       Many of the books above mentioned are printed in colours by various 

processes�察�and they are not always engraved on wood。                    Butto close the 

account of   modern wood´engravingsome   brief   reference must   be   made 

to   what   is   styled   the   ;new American   School�察─  �as   exhibited   for   the   most 

part   in   ;Scribner's;   and   other   Transatlantic   magazines。  Authorities�察  �it   is 



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reported�察  �shake   their   heads   over   these   performances。   ;C'est   magnifique�察�

mais ce nest pas la gravure�察─�they whisper。                Into the matter in dispute�察�it 

is perhaps presumptuous for an ;atechnic; to adventure himself。                         But to 

the outsider it would certainly seem as if the chief ground of complaint is 

that the new comers do not play the game according to the old rules�察�and 

that this ��alleged�� irregular mode of procedure tends to lessen the status of 

the engraver as an artist。          False or true�察�this�察�it may fairly be advanced�察�

has nothing whatever to do with the matter�察�as far�察�at least�察�as the public 

are concerned。        For them the question is�察�simply and solelyWhat is the 

result    obtained�拭     �The    new    school�察   �availing    themselves      largely   of   the 

assistance of photography�察�are able to dispense�察�in a great measure�察�with 

the old tedious method of drawing on the block�察�and to leave the artist to 

choose what medium he prefers for his designbe it oil�察�water´colour�察�or 

black      and     whiteconcerning          themselves       only     to    reproduce       its 

characteristics   on   the   wood。        This   is�察  �of   course�察  �a   deviation   from   the 

method   of   Bewick。        But   would   Bewick   have   adhered   to   his   method   in 

these   days�拭  �Even   in   his   last   hours   he   was   seeking   for   new   processes。 

What we want is to get nearest to the artist himself with the least amount 

of    interpretation     or   intermediation      on   the   part   of   the   engraver。      Is 

engraving on copper to be reproduced�察�we want a facsimile if possible�察�and 

not   a   rendering   into   something   which   is   supposed   to   be   the   orthodox 

utterance      of    wood´engraving。           Take�察     �for   example�察      �the   copy     of 

Schiavonetti's engraving of Blake's Death's Door in ;Scribner's Magazine; 

for June 1880�察�or the cut from the same source at page 131 of this book。 

These are faithful line for line transcriptions�察�as far as wood can give them�察�

of   the   original   copper´plates�察  �and�察  �this   being   the   case�察  �it   is   not   to   be 

wondered   at   that   the   public�察  �who�察  �for   a   few   pence   can   have   practical 

facsimiles      of  Blake�察   �of  Cruikshank�察      �or  of  Whistler�察    �are  loud    in  their 

appreciation       of  the   ;new     American      School。;      Nor     are   its  successes 

confined to reproduction in facsimile。               Those who look at the exquisite 

illustrations�察  �in   the   same   periodical�察  �to   the   ;Tile   Club   at   Play�察─  �to   Roe's 

;Success        with    Small     Fruits�察─    �and    Harris's     ;Insects     Injurious     to 

Vegetation�察�to       say   nothing    of   the  selected    specimens      in  the   recently 

issued ;Portfolios;will see that the latest comers can hold their own on 



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all fields with any school that has gone before。 ��15�� 

     Besides copperplate and wood�察�there are many processes which have 

been and are still employed for book´illustrations�察�although the brief limits 

of this chapter make any account of them impossible。 Lithography was at 

one     time   very   popular�察   �and�察   �in  books    like   Roberts's    ;Holy     Land�察─�

exceedingly   effective。       The   ;Etching   Club;   issued   a   number   of   books 

circa 1841´52�察�and most of the work of ;Phiz; and Cruikshank was done 

with the needle。       It is probable that�察�as we have already seen�察�the impetus 

given     to  modern    etching    by   Messrs。    Hamerton�察    �Seymour      Haden�察   �and 

Whistler�察  �will   lead   to   a   specific   revival   of   etching   as   a   means   of   book´ 

illustration。   Already   beautiful   etchings   have   for   some   time   appeared   in 

;L'Art�察─�the ;Portfolio�察─�and the ;Etcher�察─�and at least one book of poems 

has been entirely illustrated in this way��the poems of Mr。 W。 Bell Scott。 

For reproducing old engravings�察�maps�察�drawings�察�and the like�察�it is not too 

much     to   say  that   we   shall  never    get  anything     much    closer   than   the 

facsimiles      of  M。    Amand´Durand         and    the  Typographic       Etching     and 

Autotype   Companies。         But   further   improvements   will   probably   have   to 

be made before these can compete commercially with wood´engraving as 

practised by the ;new American School。; 

       ;Of   making   many   books�察─  �'twais   said�察   �There   is   no   end�察─  �and   who 

thereon The ever´running ink dot
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隆堋響頼��紗秘慕禰厮宴和肝写偬堋響��
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