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                           THE LIBRARY1 



THE LIBRARY 



                  By Andrew Lang 



                                       1 


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                                         THE LIBRARY2 



                       PREFATORY NOTE 



     The   pages   in   this   volume   on   illuminated   and   other   MSS。   ��with   the 

exception       of   some     anecdotes      about    Bussy     Rabutin      and    Julie   de 

Rambouillet�� have been contributed by the Rev。 W。 J。 Loftie�察�who has also 

written on early printed books ��pp。 94´95��。              The pages on the Biblioklept 

��pp。   46´56��   are   reprinted�察  �with   the   Editor's   kind    permission�察  �from   the 

Saturday  Review�察  �and a  few  remarks   on   the  moral   lessons of   bookstalls 

are taken from an essay in the same journal。 

     Mr。    Ingram     Bywater�察    �Fellow     of   Exeter    College�察   �and    lately  sub´ 

Librarian   of   the   Bodleian�察  �has   very   kindly   read   through   the   proofs   of 

chapters I。�察�II。�察�and III。�察�and suggested some alterations。 

     Thanks   are   also   due   to   Mr。   T。   R。   Buchanan�察  �Fellow   of   All     Souls 

College�察  �for   two   plates   from   his   ;Book´bindings   in   All   Souls   Library; 

��printed for private circulation���察�which he has been good enough to lend 

me。     The   plates   are   beautifully   drawn   and   coloured   by   Dr。   J。   J。   Wild。 

Messrs。     George     Bell   &   Sons�察   �Messrs。    Bradbury�察    �Agnew�察    �&   Co。�察  �and 

Messrs。   Chatto   &   Windus�察  �must   be   thanked   for   the   use   of   some   of   the 

woodcuts which illustrate the concluding chapter。 A。 L。 



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                                        THE LIBRARY3 



      AN APOLOGY FOR THE BOOK´ 

                                  HUNTER 



     ;All men�察─�says Dr。 Dibdin�察 �like to be their own librarians。;               A writer 

on the   library  has   no   business   to   lay  down   the  law   as to   the   books   that 

even   the   most   inexperienced   amateurs   should   try   to   collect。     There   are 

books   which      no   lover   of   literature   can   afford   to   be   without�察  �classics�察�

ancient     and   modern�察   �on   which    the   world   has   pronounced      its  verdict。 

These works�察�in whatever shape we may be able to possess them�察�are the 

necessary   foundations   of   even   the   smallest   collections。       Homer�察  �Dante 

and     Milton    Shakespeare       and   Sophocles�察     �Aristophanes      and   Moliere�察�

Thucydides�察�Tacitus�察  �and   Gibbon�察  �Swift   and   Scott��these   every   lover   of 

letters   will   desire  to   possess   in the   original   languages   or   in   translations。 

The list of such classics is short indeed�察�and when we go beyond it�察�the 

tastes of men begin to differ very widely。              An assortment of broadsheet 

ballads   and   scrap´books�察  �bought   in   boyhood�察  �was   the   nucleus   of   Scott's 

library�察   �rich  in  the  works    of  poets   and   magicians�察    �of  alchemists�察   �and 

anecdotists。      A childish liking for coloured prints of stage characters�察�may 

be the germ of a theatrical collection like those of Douce�察�and Malone�察�and 

Cousin。      People   who   are   studying   any  past   period of   human   history�察  �or 

any   old   phase   or   expression   of   human   genius�察  �will   eagerly   collect   little 

contemporary volumes which seem trash to other amateurs。                    For example�察�

to a student of Moliere�察�it is a happy chance to come across ;La Carte du 

Royaume des Pretieuses;��The map of the kingdom of the ;Precieuses;�� 

written   the   year   before   the   comedian   brought   out   his   famous   play   ;Les 

Precieuses      Ridicules。;     This    geographical      tract  appeared     in  the  very 

;Recueil des Pieces Choisies�察─�whose authors Magdelon�察�in the play�察�was 

expecting to entertain�察�when Mascarille made his appearance。                   There is a 

faculty which Horace Walpole named ;serendipity�察�the luck of falling on 

just the literary document which one wants at the moment。                  All collectors 

of out of the way books know the pleasure of the exercise of serendipity�察�

but   they   enjoy   it   in   different   ways。 One   man   will   go   home   hugging   a 



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                                         THE LIBRARY4 



volume of sermons�察�another with a bulky collection of catalogues�察�which 

would have distended the pockets even of the wide great´coat made for the 

purpose�察�that Charles Nodier used to wear when he went a book´hunting。 

Others     are   captivated     by   black    letter�察 �others    by   the   plays   of   such 

obscurities as Nabbes and Glapthorne。               But however various the tastes of 

collectors of books�察�they are all agreed on one point��the love of printed 

paper。      Even     an   Elzevir    man    can    sympathise      with   Charles     Lamb's 

attachment to ;that folio Beaumont and Fletcher which he dragged home 

late   at   night   from   Barker's   in   Covent   Garden。;    But   it   is   another   thing 

when   Lamb   says�察   �I   do   not   care   for   a   first   folio   of   Shakespeare。;   A 

bibliophile who could say this could say anything。 

     No�察�there are�察�in every period of taste�察�books which�察�apart from their 

literary value�察�all collectors admit to possess�察�if not for themselves�察�then 

for others of the brotherhood�察�a peculiar preciousness。                  These books are 

esteemed for curiosity�察�for beauty of type�察�paper�察�binding�察�and illustrations�察�

for some connection they may have with famous people of the past�察�or for 

their rarity。    It is about these books�察�the method of preserving them�察�their 

enemies�察�the places in which to hunt for them�察�that the following pages are 

to   treat。   It   is  a  subject    more    closely    connected     with    the   taste  for 

curiosities than with art�察�strictly so called。          We are to be occupied�察�not so 

much   with   literature   as   with   books�察  �not   so   much   with   criticism   as   with 

bibliography�察�the   quaint duenna of   literature�察�a study  apparently  dry�察  �but 

not   without   its   humours。   And   here   an   apology   must   be   made   for   the 

frequent allusions and anecdotes derived from French writers。                     These are 

as unavoidable�察�almost�察�as the use of French terms of the sport in tennis 

and   in   fencing。    In   bibliography�察  �in   the   care   for   books   AS   books�察  �the 

French are still the teachers of Europe�察�as they were in tennis and are in 

fencing。     Thus�察�Richard de Bury�察�Chancellor of Edward III。�察�writes in his 

;Philobiblon�此─   �Oh   God   of   Gods   in   Zion�   �what   a   rushing   river   of   joy 

gladdens my heart as often as I have a chance of going to Paris�                       �There 

the    days   seem    always    short�察  �there   are   the  goodly     collections    on   the 

delicate fragrant book´shelves。;           Since Dante wrote of ´ 

       ;L'onor di quell' arte Ch' allumare e chiamata in Parisi�察─�

       ;the art that is called illuminating in Paris�察─�and all the other arts of 



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                                         THE LIBRARY5 



writing�察  �printing�察  �binding   books�察  �have   been   most   skilfully   practised   by 

France。     She   improved   on   the   lessons   given   by   Germany   and   Italy   in 

these crafts。     Twenty books about books are written in Paris for one that 

is published in England。         In our country Dibdin is out of date ��the second 

edition of his ;Bibliomania; was published in 1811���察�and Mr。 Hill Burton's 

humorous ;Book´hunter; is out of print。                Meanwhile�察�in France�察�writers 

grave   and   gay�察  �from   the   gigantic   industry   of   Brunet   to   Nodier's   quaint 

fancy�察�and Janin's wit�察�and the always entertaining bibliophile Jacob ��Paul 

Lacroix���察�have written�察�or are writing�察�on books�察�manuscripts�察�engravings�察�

editions�察   �and   bindings。     In   England�察    �therefore�察   �rare  French    books    are 

eagerly sought�察�and may be found in all the booksellers' catalogues。                     On 

the continent there is no such care for our curious or beautiful editions�察�old 

or new。      Here a hint may be given to the collector。               If he ;picks up; a 

rare French book�察�at a low price�察�he would act prudently in having it bound 

in   France   by   a   good   craftsman。     Its   value�察  �when    ;the   wicked   day   of 

destiny; comes�察�and the collection is broken up�察�will thus be made secure。 

For the French do not suffer our English bindings gladly�察�while we have 

no narrow prejudice against the works of Lortic and Cape�察�but the reve
卦指朕村 和匯匈 指欺競何 壘��0�� 家��0��
隆堋響頼��紗秘慕禰厮宴和肝写偬堋響��
梁椣戻幣�� 梁心弌傍議揖扮窟燕得胎��傍竃徭失議心隈才凪万弌誌育断蛍�輌臆惨軼僑〃�燕慕得珊辛參資誼持蛍才将刮襲潜��範寔亟圻幹慕得 瓜寡追葎娼得辛參資誼寄楚署衛、持蛍才将刮襲潜填��