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chloride�察�orange�察�tartar´emetic�察�red�察�and if the

marks are faded ones�察�solutions of sulphate of iron

or bichromate of potash will restore them respectively

to a violet or blue´black color。



Prussian blue�察�aniline blue and indigo blue are to

be tested as follows�此�Solution of chloride of lime�察�no

change of color for prussian blue�察�decoloration or

faint yellow for aniline blue or indigo。 To discriminate

between the two latter�察�test with solution of

caustic soda�察�when decoloration or change of color

will indicate aniline blue and permanence will indicate

presence of indigo blue。



In the manufacture of the blue´black inks�察�a variety

of violets have been and are still employed。 Among

them are aniline violet�察�iodine violet�察�madder�察�alkanet��

orchil and logwood。



��a�� Apply chloride of lime solution�此�1。 No change

of color indicates alkanet。 2。 Any change�察�one of

the other five。



��b�� Apply lemon juice�此�1。 The violet becomes

brighter if it is one of the aniline violets�察�to be

distinguished from each other by applying one part of

hydrochloric acid to three parts of water�察�when it will

become violet´blue�察�changing to red if it is common

aniline´violet�察�but blue changing to a green hue and

upon adding plain water to a lilac or pearl gray if it

is iodine´violet ��Hoffman's��。 It will also turn from

red to yellow in lemon juice。 To test for the other

three violets�此。�a�� Apply chloride of lime�察�to be followed

by a solution of yellow prussiate of potash��

absence of a blue coloration leaves orchil and logwood

to be considered。 To distinguish between them apply

solution of hydrate of lime�察�whereby a change to

gray�察�followed by complete decoloration indicates logwood��

and a change to violet´blue�察�orchil。



The substances utilized with but few exceptions for

red ink are the ;eosins�察─�possessing different names

like erythrosine�察�as well as different hues。 Antecedent

to about thirty´five years ago�察�cochineal ��known

as ;carmine;���察�madder�察�Brazil wood and saffron formed

the basis of most of the red inks。



Make a soap solution adding a small quantity of

ammonia�察�lemon juice�察�muriate of tin�察�all in water��

1。 No change upon application indicates madder。

2。 Any change�察�the presence of one of the three other

reds�此。�a�� thus a complete decoloration with a return

of the color indicates saffron�察。�b�� reappearance of the

red color though weaker�察�aniline´red�此。�c�� production

of a yellowish red or light yellow color�察�cochineal or

Brazil wood�察�to be distinguished from each other by

the application of concentrated sulphuric acid�察�when

Brazil wood will at once give a bright cherry´red�察�and

cochineal a yellowish orange。



No yellow inks are in commercial use。 Documents

do�察�however�察�often contain yellow marks about which

information is required as to their origin。 As a rule

they are iron rust�察�picric acid�察�turmeric�察�fustic�察�weld��

Persian berries or quercitron。 In order to recognize

the different colors�察�the presence or absence of iron

rust and picric acid must first be determined。



Apply a warm sample of a slightly acid solution of

yellow prussiate of potash�察�iron rust will be indicated

by a blue coloration。



Apply a weak solution of cyanide of potassium�察�picric

acid will yield a blood´red coloration。



If picric acid and iron rust are both absent�察�apply a

bit of ordinary wetted soap�此�1。 It turns reddish´brown

and becomes yellow again with hydrochloric acid

turmeric�察�2。 It turns quite darkfustic�察�3。 It is

unaffectedweld�察�Persian berries or quercitron。 To

distinguish between these three�察�apply sulphuric acid��

the color of weld will disappear�察�and of the others

remaining apply tin´salt solution�察�when a change to

orange indicates Persian berries�察�and no change or a

very slight one�察�quercitron。



Inks containing also logwood�察�fustic�察�Brazil wood��

or madder�察�were all of them more or less employed

some years ago。 Their color phenomena�察�following

long periods of time�察�is much the same。 Tests as prescribed

in the accompanying table for such inks will

serve to classify them preliminary to subsequent and

more certain ones。







                                   LOGWOOD。         FUSTIC。



Concentrated Hydrochloric Acid      Red´yellow      Red

Dilute       ;             ;        Reddish         Yellow´Brown



Concentrated and dilute Nitric Acid Red             Red´Yellow

     ;   Sulphuric Acid 。 。         Black           Dark Purple

Dilute         ;   ;                Red  Brown      Purple

Potassium Chromate 。 。 。 。          Black

Stannous Chloride                   Violet          Yellow

Tartaric Acid 。 。 。 。 。             Gray´Brown      Yellow

Sulphate of Copper 。 。 。 。          Dark Gray

Tannin 。 。 。 。 。 。                  Yellow´Red      Yellow

Potash                              Dark Red        Yellow

Potassium Permanganate             Light´Brown      Yellow

    ;    Iodide 。 。 。 。 。          Red´Yellow

Pyrogallic Acid 。 。 。 。            Yellow´Brown     Yellow

Chrome´yellow 。 。 。 。 。            Dark Violet

Sodium ��Salt��                      Violet           Red

Sulphate of Iron                   Gray to Black

Alum 。 。 。 。 。 。 。                Violet Red��Brown。 Faint Red



                                     BRAZIL WOOD。    MADDER。



Concentrated Hydrochloric Acid       Light Red      Pale Yellow

Dilute          ;          ;         Light Red      Pale Yellow



Concentrated and dilute Nitric Acid  Dark Purple    Pale Yellow

     ;   Sulphuric Acid 。 。          Red            Pale Yellow

Dilute         ;   ;                 Purple         Pale Yellow

Potassium Chromate 。 。 。 。            ´               ´

Stannous Chloride                    Light Red      Light Red

Tartaric Acid 。 。 。 。 。              Red Yellow     Pale Yellow

Sulphate of Copper 。 。 。 。            ´               ´

Tannin 。 。 。 。 。 。                   No Change      Pale Yellow

Potash                               Crimson        Light Red

Potassium Permanganate                ´               ´

Iodide 。 。 。 。 。                      ´               ´

Pyrogallic Acid 。 。 。 。               ´               ´

Chrome´yellow 。 。 。 。 。               ´               ´

Sodium ��Salt��                         ´              Red

Sulphate of Iron                     Dark Violet      ´

Alum 。 。 。 。 。 。 。                    ´              Faint Red





CHAPTER XIX。



FRAUDULENT INK BACK GROUNDS。



DETECTION OF ALTERATIONS IN DOCUMENTS BY CHEMICAL

TESTS WHICH APPLY SOLELY TO THE PAPERACCURACY

OF RESULTS OBTAINED BY USE OF IODINE

EXCELS THAT OF ALL OTHER CHEMICALSIT APPLIES

BEST TO LINEN PAPERMODERN HARD PAPER DOES

NOT GIVE COMPLETE INFORMATIONEFFECT OF IODINE

ON MARKS MADE BY A STYLUS OR GLASS PEN。



FIFTY years ago and long before the employment of

the fugitive ;anilines; for ink uses�察�and ;wood

pulp; as a material for paper�察�two French chemists��

Chevallier and Lassiagne�察�published in the Journal de

Chimie Medical�察�an article ;On the Means to be

Employed for Detecting and Rendering Perceptible

Fraudulent Alterations in Public and Private Documents�察�

which as translated is valuable enough to

quote in full��



;The numerous experiments which have been

already tried at various times�察�have made known

the processes which may frequently be put in practice

for causing the reappearance of traces of writing

effaced by chemical reactions�察�and for throwing

light on the work of the guilty。 But there are

cases in which all the means proposed for this purpose

fail�察�and then the criminal may escape justice

from the want of conclusive material proofs。 If��

as has already been proved�察�it is not always possible

to cause the reappearance of the effaced writing��

for which written words have with a fraudulent

intent been substituted�察�at least�察�as our

experiments demonstrates�察�we may recognize�察�by

some effects which are manifest on the surface of

the altered paper�察�the places where the criminal act

has been performed�察�circumscribe them by a simple

chemical reaction visible to the least practiced eye��

and even measure their extent。 In a word�察�the

visible alterations produced on a deed are susceptible��

owing to the partial modifications which the

surface of the paper has undergone�察�of being differently

affected by certain chemical actions�察�and

of being rendered visible。 The following experiments��

made in a judicial investigation�察�furnish us

with the following facts��



;1st。 The surface of paper sized in the ordinary

way�察�or letter paper�察�no longer presents with certain

reactions�察�the same uniformity where it has

been either accidently moistened in several places

by various liquids�察�or left in contact for a certain

time with agents capable of removing or destroying

the characters which have been traced on it with

ink。



;2d。 The application of a thin layer of gum�察�of

starch�察�or farina�察�of ge
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