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the soul of the far east(垓叫議痩至)-及26嫗

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past   has    very   little  personality   for     the  present。    As   for   the   former�察   �its 

attention   is�察  �if   anything�察  �derogatory   to   him�察  �for   we   are   always   shy   of 

making   fun   of   what   we   feel   to   be   too   closely  a   part   of   ourselves。   But 

impersonality   has   prevented   the   Far   Oriental   from   having   much   amour 

propre。      He    has   no   particular     aversion     to  caricaturing     himself。     Few 

Europeans�察�perhaps�察�would have cared to perpetrate a self´portrait like one 

painted by the potter Kinsei�察�which was sold me one day as an amusing 

tour de force by a facetious picture´dealer。                It is a composite picture of a 

new kind�察�a Japanese variety of type face。                The great potter�察�who was also 

apparently   no   mean   painter�察  �has   combined   three   aspects   of   himself   in   a 

single   representation。        At   first   sight   the   portrait   appears   to   be   simply   a 



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full front view of a somewhat moon´faced citizen�察�but as you continue to 

gaze�察�it suddenly dawns on you that there are two other individuals�察�one on 

either side�察�hob´nobbing in profile with the first�察�the lines of the features 

being   ingeniously   made   to   do   double   duty�察  �and   when   this   aspect   of   the 

thing has once struck you�察�you cannot look at the picture without seeing all 

three citizens simultaneously。            The result is doubtless more effective as a 

composition than flattering as a likeness。 

     Far Eastern sculpture�察�by its secondary importance among Far Eastern 

arts�察�witnesses again to the secondary importance assigned to man at our 

mental     antipodes。      In   this   art�察 �owing    to  its  necessary   limitations�察      �the 

representation of nature in its broader sense is impossible。                  For in the first 

place�察�whatever the subject�察�it must be such as it is possible to present in 

one  continuous   piece�察  �disconnected   adjuncts�察  �as�察  �for  instance�察  �a   flock   of 

birds flying�察�which might be introduced with great effect in painting�察�being 

here practically beyond the artist's reach。             Secondly�察�the material being of 

uniform   appearance�察        �as  a  rule�察  �color�察  �or  even    shading�察   �vital  points    in 

landscape       portrayal�察    �is  out   of   the   question�察    �unless    the   piece    were 

subsequently   painted�察  �as   in   Grecian   sculptures�察  �a   custom   which   is   not 

practised      in   China      or   Japan。      Lastly�察    �another      fact   fatal    to   the 

representation       of   landscape      is  the   size。    The     reduced     scale    of   the 

reproduction suggests falsity at once�察�a falsity whose belittlement the mind 

can   neither   forget   nor   forgive。      Plain   sculpture   is   therefore   practically 

limited to statuary�察�either of men or animals。              The result is that in their art�察�

where   landscape   counts   for   so   much�察  �sculpture   plays   a   very   minor   part。 

In what little there is�察�Nature's place is taken by Buddha。                     For there are 

two classes of statues�察�divided the one from the other by that step which 

separates   the   sublime   from   the   ridiculous�察  �namely�察  �the   colossal   and   the 

diminutive。       There is no happy human mean。                  Of the first kind are the 

beautiful bronze figures of the Buddha�察�like the Kamakura Buddha�察�fifty 

feet high and ninety´seven feet round�察�in whose face all that is grand and 

noble lies sleeping�察�the living representation of Nirvana�察�and of the second�察�

those   odd   little   ornaments   known   as   netsuke�察  �comical   carvings   for   the 

most part�察�grotesque figures of men and monkeys�察�saints and sinners�察�gods 

and devils。      Appealing bits of ivory�察�bone�察�or wood they are�察�in which the 



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dumb animals are as speaking likenesses as their human fellows。 

     The other arts show the same motif in their decorations。                  Pottery and 

lacquer alike witness the respective positions assigned to the serious and 

the comic in Far Eastern feeling。 

     The Far Oriental makes fun of man and makes love to Nature�察�and it 

almost seems as if Nature heard his silent prayer�察�and smiled upon him in 

acceptance�察�as if the love´light lent her face the added beauty that it lends 

the maid's。      For nowhere in this world�察�probably�察�is she lovelier than in 

Japan�此  �a   climate   of   long�察  �happy   means   and   short   extremes�察  �months   of 

spring and months of autumn�察�with but a few weeks of winter in between�察�

a land of flowers�察�where the lotus and the cherry�察�the plum and wistaria�察�

grow   wantonly   side   by   side�察  �a   land   where   the   bamboo   embosoms   the 

maple�察�where the pine at last has found its palm´tree�察�and the tropic and 

the    temperate     zones    forget   their   separate    identity   in   one   long   self´ 

obliterating kiss。 



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                   CHAPTER 7。                              Religion。 



     In   regard   to   their   religion�察  �nations�察  �like   individuals�察  �seem   singularly 

averse to practising what they have preached。                Whether it be that his self´ 

constructed idols prove to the maker too suggestive of his own intellectual 

chisel to deceive him for long�察�or whether sacred soil�察�like less hallowed 

ground�察�becomes after a time incapable of responding to repeated sowings 

of the same seed�察�certain it is that in spiritual matters most peoples have 

grown   out   of   conceit   with   their   own   conceptions。       An   individual   may 

cling   with   a   certain   sentiment   to   the   religion   of   his   mother�察  �but   nations 

have shown anything but a foolish fondness for the sacred superstitions of 

their   great´grandfathers。        To   the   charm   of   creation   succeeds   invariably 

the    bitter´sweet     after´taste   of   criticism�察  �and    man    would     not   be   the 

progressive      animal     he  is  if  he   long   remained     in   love   with   his  own 

productions。 

     What his future will be is too engrossing a subject�察�and one too deeply 

shrouded in mystery�察�not to be constantly pictured anew。 No wonder that 

the   consideration   at   that   country   toward   which   mankind   is   ever   being 

hastened      should    prove    as  absorbing     to  fancy   as   contemplated      earthly 

journeys   proverbially   are。      Few   people   but   have   laid   out   skeleton   tours 

through   its   ideal   regions�察  �and   perhaps�察  �as   in   the   mapping   beforehand   of 

merely mundane travels�察�one element of attraction has always consisted in 

the possible revision of one's routes。 

     Besides�察�there   is a   fascination about the foreign   merely because   it   is 

such。     Distance lends enchantment to the views of others�察�and never more 

so than when those views are religious visions。 An enthusiast has certainly 

a   greater   chance   of   being   taken   for   a   god   among   a   people   who   do   not 

know him intimately as a man。              So with his doctrines。         The imported is 

apt to seem more important than the home´made�察�as the far´off bewitches 

more easily than the near。          But just as castles in the air do not commonly 

become the property of their builders�察�so mansions in the skies almost as 

frequently   have   failed   of   direct   inheritance。      Rather   strikingly   has   this 

proved the case with what are to´day the two most powerful religions of 

the world��Buddhism  and   Christianity。            Neither  is now  the  belief  of  its 



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founder's people。        What was Aryan´born has become Turanian´bred�察�and 

what   was   Semitic   by   conception   is   at   present   Aryan   by   adoption。   The 

possibilities of another's hereafter look so much rosier than the limitations 

of one's own present� �

     Few pastimes are more delightful than tossing pebbles into some still�察�

dark pool�察�and watching the ripples that rise responsive�察�as they run in ever 

widening circles to the shore。          Most of us have felt its fascination second 

only   to   that   of   the   dotted   spiral   of   the   skipping´stone�察  �a   fascination   not 

outgrown       with   years。   There     is  something      singularly   attractive    in  the 

subtle force that for a moment sways each part
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隆堋響頼��紗秘慕禰厮宴和肝写偬堋響��
梁椣戻幣�� 梁心弌傍議揖扮窟燕得胎��傍竃徭失議心隈才凪万弌誌育断蛍�輌臆惨軼僑〃�燕慕得珊辛參資誼持蛍才将刮襲潜��範寔亟圻幹慕得 瓜寡追葎娼得辛參資誼寄楚署衛、持蛍才将刮襲潜填��