嗔秤戻幣�哉膵�云利匈嬉蝕湊蛸賜�塋床四衲���萩晦編報炎嘔囚^泡仟 ̄云利匈�《超噌�殻窟�嵌虜隆輓麈觚翹瀘卉韮�仍仍�。� 烏御危列
湘弼慕汐 卦指云慕朕村 厘議慕尺 厘議慕禰 TXT畠云和墮 序秘慕杏 紗秘慕禰

the soul of the far east(垓叫議痩至)-及19嫗

梓囚徒貧圭�鮗� ○ 賜 ★ 辛酔堀貧和鍬匈��梓囚徒貧議 Enter 囚辛指欺云慕朕村匈��梓囚徒貧圭�鮗� ● 辛指欺云匈競何��
!!!!隆堋響頼��紗秘慕禰厮宴和肝写偬堋響��




empty your wallet for more new ones than you will ever have the means to 

fill。   If you do succeed in tearing yourself away purse´whole�察�it is only to 

fall a victim to some painted fans of so exquisite a make and decoration 

that escape short of possession is impossible。                 Opposed as stubbornly as 

you may be to idle purchase at home�察�here you will find yourself the prey 

of   an   acute   case   of   shopping   fever   before   you   know   it。    Nor   will   it   be 

much consolation subsequently to discover that you have squandered your 

patrimony upon the most ordinary articles of every´day use。 If in despair 

you turn for refuge to the booths�察�you will but have delivered yourself into 

the    embrace     of   still  more    irresistible   fascinations。     For     the  nocturnal 

squatters   are   there   for   the   express   purpose   of   catching   the   susceptible。 

The     shops    were    modestly   attractive      from   their   nature�察   �but  the   booths 

deliberately      make     eyes    at   you�察  �and    with    telling   effect。     The     very 

atmosphere   is   bewitching。   The   lurid   smurkiness   of   the   torches   lends   an 

appropriate weirdness to the figure of the uncouthly clad pedlar who�察�with 

the   politeness   of   the   arch´fiend   himself�察  �displays   to   an   eager   group   the 

fatal    fascinations      of   some     new    conceit。      Here     the   latest   thing    in 

inventions�察�a gutta´percha rat�察�which�察�for reasons best known to the vender�察�

scampers about squeaking with a mimicry to shame the original�察�holds an 

admiring crowd spellbound with mingled trepidation and delight。                          There 



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a   native   zoetrope�察  �indefatigable   round   of   pleasure�察  �whose   top   fashioned 

after the type of a turbine wheel enables a candle at the centre ingeniously 

to supply both illumination and motive power at the same time�察�affords to 

as   many  as   can   find   room  on   its   circumference   a   peep at the   composite 

antics   of   a   consecutively   pictured   monkey   in   the   act   of   jumping   a   box。 

Beyond this ;wheel of life; lies spread out on a mat a most happy family 

of curios�察�the whole of which you are quite prepared to purchase en bloc。 

While   a   little   farther   on   stands   a   flower   show   which   seems   to   be   coyly 

beckoning   to   you   as   the   blossoms   nod   their   heads   to   an   imperceptible 

breeze。     So one attraction fairly jostles its neighbor for recognition from 

the    gay    thousands      that   like   yourself     stroll  past    in  holiday     delight。 

Chattering children in brilliant colors�察�voluble women and talkative men in 

quieter     but   no   less  picturesque      costumes�察     �stream    on   in  kaleidoscopic 

continuity。 And you�察�carried along by  the current�察�wander thus for   miles 

with the tide of pleasure´seekers�察�till�察�late at night�察�when at last you turn 

reluctantly homeward�察�you feel as one does when wakened from some too 

delightful dream。 

     Or   instead   of   night�察  �suppose   it   day   and   the   place   a   temple。     With 

those who are entering you enter too through the outer gateway into the 

courtyard。       At    the  farther   end    rises  a   building    the   like  of   which    for 

richness of effect you have probably never beheld or even imagined。                           In 

front   of   you   a   flight   of   white   stone   steps   leads   up   to   a   terrace   whose 

parapet�察�also of stone�察�is diapered for half its height and open latticework 

the   rest。    This   piazza   gives   entrance   to   a   building   or   set   of   buildings 

whose every detail challenges the eye。 Twelve pillars of snow´white wood 

sheathed in part with bronze�察�arranged in four rows�察�make�察�as it were�察�the 

bones of the structure。 The   space between   the   centre columns   lies   open。 

The other   triplets are   webbed   in   the middle   and   connected�察�on the   sides 

and front�察�by grilles of wood and bronze forming on the outside a couple 

of embrasures on either hand the entrance in which stand the guardian Nio�察�

two     colossal    demons�察    �Gog     and   Magog。      Instead     of   capitals   ��a  frieze 

bristling with Chinese lions protects the top of the pillars。 Above this in 

place of entablature rises tier upon tier of decoration�察�each tier projecting 

beyond the one beneath�察�and the topmost of all terminating in a balcony 



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which encircles the whole second story。                  The parapet of this balcony is 

one mass of ornament�察�and its cornice another row of lions�察�brown instead 

of   white。     The   second  story   is   no   less   crowded   with   carving。       Twelve 

pillars    make     its  ribs�察 �the   spaces    between      being    filled  with    elaborate 

woodwork�察�while on top rest more friezes�察�more cornices�察�clustered with 

excrescences of   all   colors   and kinds�察 �and guarded by  lions innumerable。 

To   begin   to   tell   the   details   of   so   multi´faceted   a   gem   were   artistically 

impossible。 It is a jewel of a thousand rays�察�yet whose beauties blend into 

one   as   the   prismatic   tints   combine   to   white。      And   then�察  �after   the   first 

dazzle of   admiration�察 �when   the spirit of   curiosity  urges   you   to   penetrate 

the centre aisle�察�lo and behold it is but a gate�                �The dupe of unexpected 

splendor�察  �you   have   been   paying   court   to   the   means   of   approach。         It   is 

only a portal after all。        For as you pass through�察�you catch a glimpse of a 

building beyond more gorgeous still。 Like in general to the first�察�unlike it 

in detail�察�resembling it only as the mistress may the maid。                    But who shall 

convince of charm by enumerating the features of a face� �From the tiles of 

its   terrace    to  the   encrusted      gables    that   drape    it  as  with    some     rich 

bejewelled mantle falling about it in the most graceful of folds�察�it is the 

very eastern princess of a building standing in the majesty of her court to 

give you audience。 

     A pebbly path�察�a low flight of stone steps�察�a pause to leave your shoes 

without the sill�察�and you tread in the twilight of reverence upon the moss´ 

like   mats   within。     The   richness   of   its   outer   ornament�察  �so   impressive   at 

first�察  �is�察  �you  discover�察  �but   prelude   to   the   lavish   luxury   of   its   interior。 

Lacquer�察�bronze�察�pigments�察�deck its ceiling and its sides in such profusion 

that it seems to you as if art had expanded�察�in the congenial atmosphere�察�

into   a   tropical   luxuriance   of   decoration�察  �and   grew   here   as   naturally   on 

temples   as   in   the   jungle   creepers   do   on   trees。   Yet   all   is   but   setting   to 

what   the   place   contains�察  �objects   of   bigotry  and   virtue   that   appeal   to   the 

artistic as much as to the religious instincts of the devout。                    More sacred 

still are the things treasured in the sanctum of the priests。                 There you will 

find gems of art for whose sake only the most abnormal impersonality can 

prevent you from breaking the tenth commandment。 Of the value set upon 

them  you can form a   distant approximation from the exceeding   richness 



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and the amazing number of the silk cloths and lacquered boxes in which 

they are so religiously kept。            As you gaze thus�察�amid the soul´satisfying 

repose of the spot�察�at some masterpiece from the brush of Motonobu�察�you 

find    yourself    wondering�察      �in  a  fanciful    sort   of  way�察   �whether     Buddhist 

contemplation is not after all only another name for the contemplation of 

the beautiful�察�since devotees to the one are ex officio such votaries of the 

other。 

     Dissimilar   as   are   these   two   glimpses   of   Japanese   existence�察  �in   one 

point the bustling street and the hushed temple are alike��in the nameless 

grace that beautifies both。 

     This spirit is even more remarkable for its all´pervasiveness than for 

its inherent excellence。          Both objectively and subjectively its catholicity 

is    remarkable。        It   imbues      everything�察     �and    affects    everybody。       So 

universally is it applied to the daily affairs of life that there may be said to 

be no mechanical arts in Japan simply because all such have been raised to 

the    position    of   fine   arts。   The    lowest     artisan   is  
卦指朕村 貧匯匈 和匯匈 指欺競何 壘��0�� 家��0��
隆堋響頼��紗秘慕禰厮宴和肝写偬堋響��
梁椣戻幣�� 梁心弌傍議揖扮窟燕得胎��傍竃徭失議心隈才凪万弌誌育断蛍�輌臆惨軼僑〃�燕慕得珊辛參資誼持蛍才将刮襲潜��範寔亟圻幹慕得 瓜寡追葎娼得辛參資誼寄楚署衛、持蛍才将刮襲潜填��