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aucassin and nicolete(安紗廉寓才鶴硬戦蒙)-及10嫗

梓囚徒貧圭�鮗� ○ 賜 ★ 辛酔堀貧和鍬匈��梓囚徒貧議 Enter 囚辛指欺云慕朕村匈��梓囚徒貧圭�鮗� ● 辛指欺云匈競何��
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     When      Aucassin     heard    that�察 �he  was    right   glad   thereof。    And     she 

departed   from  him�察  �and   went   into   the   city  to   the   house   of   the   Captain's 



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wife�察�for the Captain her father in God was dead。                So she dwelt there�察�and 

told all her tale�察�and the Captain's wife knew her�察�and knew well that she 

was Nicolete that she herself had nourished。 Then she let wash and bathe 

her�察�and there rested she eight full days。            Then took she an herb that was 

named Eyebright and anointed herself therewith�察�and was as fair as ever 

she   had   been   all   the   days   of   her   life。 Then   she   clothed   herself   in   rich 

robes of silk whereof the lady had great store�察�and then sat herself in the 

chamber   on   a   silken   coverlet�察  �and   called   the   lady   and   bade   her   go   and 

bring Aucassin her love�察�and she did even so。               And when she came to the 

Palace she found Aucassin weeping�察�and making lament for Nicolete his 

love�察�for that she delayed so long。          And the lady spake unto him and said�此�

     ;Aucassin�察  �sorrow   no   more�察  �but   come   thou   on   with   me�察  �and   I   will 

shew thee the thing in the world that thou lovest best�察�even Nicolete thy 

dear love�察�who from far lands hath come to seek of thee。;                   And Aucassin 

was right glad。 

       Here singeth one�此�

     When Aucassin heareth now That his lady bright of brow Dwelleth in 

his   own   countrie�察  �Never   man   was   glad   as   he。   To   her   castle   doth   he   hie 

With   the   lady   speedily�察  �Passeth   to   the   chamber   high�察  �Findeth   Nicolete 

thereby。 Of her true love found again Never maid was half so fain。 Straight 

she leaped upon her feet�此�When his love he saw at last�察�Arms about her did 

he cast�察�Kissed her often�察�kissed her sweet Kissed her lips and brows and 

eyes。   Thus   all   night   do   they   devise�察  �Even   till   the   morning   white。   Then 

Aucassin   wedded   her�察  �Made   her   Lady   of   Biaucaire。   Many   years   abode 

they there�察�Many years in shade or sun�察�In great gladness and delight Ne'er 

hath Aucassin regret Nor his lady Nicolete。 Now my story all is done�察�Said 

and sung� �



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                                       NOTES 



        ;THE BLENDING;of alternate prose and verse;is not unknown 

in various countries。;       Thus in Dr。 Steere's Swahili Tales ��London�察�1870���察�

p。 vii。 we read�此      �It is a constant characteristic of popular native tales to 

have a sort of burden�察�which all join in singing。 Frequently the skeleton of 

the   story   seems   to   be   contained   in   these   snatches   of   singing�察  �which   the 

story´teller     connects    by   an   extemporized      account     of  the   intervening 

history 。 。 。 Almost all these stories had sung parts�察�and of some of these�察�

even those who sung them could scarcely explain the meaning 。 。 。 I have 

heard   stories   partly   told�察  �in   which   the   verse   parts   were   in   the   Yao   and 

Nyamwezi   languages。;          The   examples   given   ��Sultan   Majnun��   are   only 

verses     supposed     to  be   chanted    by   the  characters     in  the  tale。   It   is 

improbable       that   the  Yaos    and    Nyamwezis       borrowed      the   custom    of 

inserting verse into prose tales from Arab literature�察�where the intercalated 

verse is usually of a moral and reflective character。 

     Mr。    Jamieson�察    �in   Illustrations    of  Northern     Antiquities     ��p。  379���察�

preserved a cante´fable called Rosmer Halfman�察�or The Merman Rosmer。 

Mr。   Motherwell   remarks   ��Minstrelsy�察  �Glasgow�察  �1827�察  �p。   xv。���此         �Thus   I 

have heard the ancient ballad of Young Beichan and Susy Pye dilated by a 

story´teller into a tale of remarkable dimensionsa paragraph of prose and 

then a screed of rhyme alternately given。;            The example published by Mr。 

Motherwell gives us the very form of Aucassin and Nicolete�察�surviving in 

Scotch folk lore�此� 

     ;Well ye must know that in the Moor's Castle�察�there was a mafsymore�察�

which is a dark deep dungeon for keeping prisoners。                  It was twenty feet 

below the ground�察�and into this hole they closed poor Beichan。 There he 

stood�察�night and day�察�up to his waist in puddle´water�察�but night or day it 

was all one to him�察�for no ae styme of light ever got in。              So he lay there a 

lang and weary while�察�and thinking on his heavy weird�察�he made a murnfu' 

sang to pass the timeand this was the sang that he made�察�and grat when 

he   sang   it�察  �for   he   never   thought   of   escaping   from  the   mafsymore�察  �or   of 

seeing his ain countrie again�此�



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       ;My hounds they all run masterless�察�My hawks they flee from tree to 

tree�察�My youngest brother will heir my lands�察�And fair England again I'll 

never see。 

     ;O were I free as I hae been�察�And my ship swimming once more on sea�察�

I'd turn my face to fair England�察�And sail no more to a strange countrie。; 

       Now the cruel Moor had a beautiful daughter called Susy Pye�察�who 

was accustomed to take a walk every morning in her garden�察�and as she 

was walking ae day she heard the sough o' Beichan's sang�察�coming as it 

were from below the ground。; 

     All   this   is   clearly   analogous   in   form   no   less   than   in   matter   to   our 

cante´fable。      Mr。    Motherwell     speaks    of   fabliaux�察  �intended    partly   for 

recitation�察   �and   partly  for  being    sung�察  �but  does   not   refer  by   name    to 

Aucassin and   Nicolete。        If   we   may  judge by  analogy�察 �then�察 �the   form  of 

the   cante´fable     is  probably    an   early  artistic  adaptation     of  a  popular 

narrative method。 

     STOUR�察�an ungainly word enough�察�familiar in Scotch with the sense 

of wind´driven dust�察�it may be dust of battle。           The French is Estor。 

     BIAUCAIRE�察�opposite Tarascon�察�also celebrated for its local hero�察�the 

deathless   Tartarin。     There   is   a   great   deal   of   learning   about   Biaucaire�察�

probably the author of the cante´fable never saw the place�察�but he need not 

have thought it was on the sea´shore�察�as ��p。 39�� he seems to do。               There he 

makes the people of Beaucaire set out to wreck a ship。                 Ships do not go 

up the Rhone�察�and get wrecked there�察�after escaping the perils of the deep。 

     On p。 42�察�the poet clearly thinks that Nicolete�察�after landing from her 

barque�察  �had   to   travel   a   considerable   distance   before   reaching   Biaucaire。 

The fact is that the poet is perfectly reckless of geography�察�like him who 

wrote of the set´shore of Bohemia。 

     PAINTED WONDROUSLY。                  No one knows what is really meant by 

e miramie。 

     PLENTIFUL LACK   OF   COMFORT�此                  �rather   freely for   Mout   i   aries 

peu conquis。 

     MALENGIN�此             �a    favourite     word     of    Sir    Thomas       Malory�此�

;mischievous intent。; 

     FEATS OF YOUTH�此            �ENFANCES�察�the regular term for the romance 



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of a knight's early prowess。 

     TWO      APPLES�察      �nois   gauges    in  the   original。    But    walnuts    sound 

inadequate。 

     Here the MS。 has a lacuna。           There is much useless learning about the 

realm     of  Torelore。    It   is  somewhere      between     Kor    and   Laputa。     The 

custom of the Couvade was dimly known to the poet。                    The feigned lying´ 

in of the father may have been either a recognition of paternity ��as in the 

sham birth whereby Hera adopted Heracles�� or may have been caused by 

the   belief   that   the   health   of   the   father   at   the   time   of   the   child's   birth 

affected that of the child。       Either origin of the Couvade is consistent with 

early beliefs and customs。 

     EYEBRIGHT。           This is a purely fanciful rendering of Esclaire。 



     Footnotes�此�

     ��1��     Gaston   Paris�察  �in   M。   Bida's   edition�察  �p。   xii。 Paris�察  �1878。   The 

blending      is  not  unknown       in  various    countries。    See    note    at  end   of 

Translation。 

     ��2��     I know not if I unconsciously transferred this criticism from M。 

Gaston Paris。 

     ��3��     ;Love in Idleness。;       London�察�1883�察�p。 169。 

     ��4��     Theocritus�察�x。 37。 

     ��5��     I have not thought it necessary to discuss the 
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