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Aucassin and Nicolete
Aucassin and Nicolete
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Aucassin and Nicolete
INTRODUCTION
There is nothing in artistic poetry quite akin to ;Aucassin and
Nicolete。;
By a rare piece of good fortune the one manuscript of the Song´Story
has escaped those waves of time�察 �which have wrecked the bark of
Menander�察 �and left of Sappho but a few floating fragments。 The very
form of the tale is peculiar�察 �we have nothing else from the twelfth or
thirteenth century in the alternate prose and verse of the cante´ fable。 ��1��
We have fabliaux in verse�察 �and prose Arthurian romances。 We have
Chansons de Geste�察 �heroic poems like ;Roland�察─ �unrhymed assonant
laisses�察 �but we have not the alternations of prose with laisses in seven´
syllabled lines。 It cannot be certainly known whether the form of
;Aucassin and Nicolete; was a familiar form used by many jogleors�察�or
wandering minstrels and story´tellers such as Nicolete�察�in the tale�察�feigned
herself to be��or whether this is a solitary experiment by ;the old captive;
its author�察 �a contemporary�察 �as M。 Gaston Paris thinks him�察 �of Louis VII
��1130��。 He was original enough to have invented�察�or adopted from popular
tradition�察�a form for himself�察�his originality declares itself everywhere in
his one surviving masterpiece。 True�察�he uses certain traditional formulae�察�
that have survived in his time�察 �as they survived in Homer's�察 �from the
manner of purely popular poetry�察 �of Volkslieder。 Thus he repeats
snatches of conversation always in the same�察 �or very nearly the same
words。 He has a stereotyped form�察 �like Homer�察 �for saying that one
person addressed another�察 �ains traist au visconte de la vile si l'apela;
��Greek text which cannot be reproduced�А � 。 。 Like Homer�察�and like popular
song�察 �he deals in recurrent epithets�察 �and changeless courtesies。 To
Aucassin the hideous plough´man is ;Biax frere�察─ �fair brother�察─�just as the
treacherous Aegisthus is ��Greek text�А�in Homer�察�these are complimentary
terms�察�with no moral sense in particular。 The jogleor is not more curious
than Homer�察 �or than the poets of the old ballads�察 �about giving novel
descriptions of his characters。 As Homer's ladies are ;fair´tressed�察─ �so
Nicolete and Aucassin have�察�each of them�察�close yellow curls�察�eyes of vair
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��whatever that may mean���察�and red lips。 War cannot be mentioned except
as war ;where knights do smite and are smitten�察─ �and so forth。 The
author is absolutely conventional in such matters�察 �according to the
convention of his age and profession。
Nor is his matter more original。 He tells a story of thwarted and
finally fortunate love�察 �and his hero is ;a Christened knight;like
Tamlane��his heroine a Paynim lady。 To be sure�察�Nicolete was baptized
before the tale begins�察�and it is she who is a captive among Christians�察�not
her lover�察 �as usual�察 �who is a captive among Saracens。 The author has
reversed the common arrangement�察 �and he appears to have cared little
more than his reckless hero�察�about creeds and differences of faith。 He is
not much interested in the recognition of Nicolete by her great Paynim
kindred�察�nor indeed in any of the ;business; of the narrative�察�the fighting�察�
the storms and tempests�察�and the burlesque of the kingdom of Torelore。
What the nameless author does care for�察�is his telling of the love´ story�察�
the passion of Aucassin and Nicolete。 His originality lies in his charming
medley of sentiment and humour�察�of a smiling compassion and sympathy
with a touch of mocking mirth。 The love of Aucassin and Nicolete ´
;Des grans paines qu'il soufri�察─�
that is the one thing serious to him in the whole matter�察�and that is not
so very serious。 ��2�� The story´teller is no Mimnermus�察 �Love and Youth
are the best things he knew�察�deport du viel caitif�察─ �and now he has
;come to forty years�察─�and now they are with him no longer。 But he does
not lament like Mimnermus�察�like Alcman�察�like Llwyarch Hen。 ;What is
Life�察 �what is delight without golden Aphrodite�拭 �May I die� ─ �says
Mimnermus�察 �when I am no more conversant with these�察�with secret love�察�
and gracious gifts�察�and the bed of desire。; And Alcman�察�when his limbs
waver beneath him�察�is only saddened by the faces and voices of girls�察�and
would change his lot for the sea´birds。; ��3��
;Maidens with voices like honey for sweetness that breathe desire�察�
Would that I were a sea´bird with limbs that never could tire�察 �Over the
foam´flowers flying with halcyons ever on wing�察�Keeping a careless heart�察�
a sea´blue bird of the spring。;
But our old captive�察 �having said farewell to love�察 �has yet a kindly
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smiling interest in its fever and folly。 Nothing better has he met�察 �even
now that he knows ;a lad is an ass。; He tells a love story�察�a story of love
overmastering�察�without conscience or care of aught but the beloved。 And
the viel caitif tells it with sympathy�察 �and with a smile。 ;Oh folly of
fondness�察─�he seems to cry�察 �oh merry days of desolation;
;When I was young as you are young�察�When lutes were touched and
songs were sung�察�And love lamps in the windows hung。;
It is the very tone of Thackeray�察�when Thackeray is tender�察�and the
world heard it first from this elderly�察�nameless minstrel�察�strolling with his
viol and his singing boys�察�perhaps�察�like a blameless d'Assoucy�察�from castle
to castle in ;the happy poplar land。; One seems to see him and hear him
in the twilight�察�in the court of some chateau of Picardy�察�while the ladies on
silken cushions sit around him listening�察 �and their lovers�察 �fettered with
silver chains�察�lie at their feet。 They listen�察�and look�察�and do not think of
the minstrel with his grey head and his green heart�察�but we think of him。
It is an old man's work�察�and a weary man's work。 You can easily tell the
places where he has lingered�察 �and been pleased as he wrote。 They are
marked�察�like the bower Nicolete built�察�with flowers and broken branches
wet with dew。 Such a passage is the description of Nicolete at her
window�察�in the strangely painted chamber�察�
;ki faite est par grant devisse panturee a miramie。;
Thence
;she saw the roses blow�察�Heard the birds sing loud and low。;
Again�察 �the minstrel speaks out what many must have thought�察 �in
those incredulous ages of Faith�察 �about Heaven and Hell�察 �Hell where the
gallant company makes up for everything。 When he comes to a battle´
piece he makes Aucassin ;mightily and knightly hurl through the press�察─�
like one of Malory's men。 His hero must be a man of his hands�察�no mere
sighing youth incapable of arms。 But the minstrels heart is in other
things�察�for example�察�in the verses where Aucassin transfers to Beauty the
wonder´working powers of Holiness�察�and makes the sight of his lady heal
the palmer�察�as the shadow of the Apostle�察�falling on the sick people�察�healed
them by the Gate Beautiful。 The Flight of Nicolete is a familiar and
beautiful picture�察 �the daisy flowers look black in the ivory moonlight
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against her feet�察 �fair as Bombyca's ;feet of carven ivory; in the Sicilian
idyll�察�long ago。 ��4�� It is characteristic of the poet that the two lovers begin
to wra