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aucassin and nicolete(安紗廉寓才鶴硬戦蒙)-及1嫗

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                            Aucassin and Nicolete 



Aucassin and Nicolete 



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                                        Aucassin and Nicolete 



                           INTRODUCTION 



     There     is   nothing    in   artistic   poetry    quite   akin    to  ;Aucassin      and 

Nicolete。; 

     By a rare piece of good fortune the one manuscript of the Song´Story 

has    escaped     those    waves     of  time�察  �which     have    wrecked      the   bark   of 

Menander�察  �and   left   of   Sappho   but   a   few   floating   fragments。        The   very 

form   of   the   tale   is   peculiar�察  �we   have   nothing   else   from   the   twelfth   or 

thirteenth century in the alternate prose and verse of the cante´ fable。 ��1�� 

We     have    fabliaux    in  verse�察   �and   prose    Arthurian     romances。      We    have 

Chansons       de   Geste�察   �heroic    poems     like   ;Roland�察─    �unrhymed       assonant 

laisses�察  �but   we   have   not   the   alternations   of   prose   with   laisses   in   seven´ 

syllabled      lines。   It   cannot     be   certainly    known     whether     the   form    of 

;Aucassin and Nicolete; was a familiar form used by many jogleors�察�or 

wandering minstrels and story´tellers such as Nicolete�察�in the tale�察�feigned 

herself to be��or whether this is a solitary experiment by ;the old captive; 

its   author�察 �a   contemporary�察 �as   M。   Gaston   Paris   thinks him�察 �of   Louis VII 

��1130��。 He was original enough to have invented�察�or adopted from popular 

tradition�察�a form for himself�察�his originality declares itself everywhere in 

his one surviving masterpiece。            True�察�he uses certain traditional formulae�察�

that   have   survived   in   his   time�察  �as   they   survived   in   Homer's�察  �from   the 

manner       of  purely     popular    poetry�察   �of   Volkslieder。      Thus      he   repeats 

snatches   of   conversation   always   in   the   same�察  �or   very   nearly   the   same 

words。      He    has   a  stereotyped      form�察  �like   Homer�察    �for   saying    that  one 

person   addressed   another�察   �ains   traist   au   visconte   de   la   vile   si   l'apela; 

��Greek text which cannot be reproduced�А � 。 。 Like Homer�察�and like popular 

song�察    �he   deals   in   recurrent    epithets�察   �and   changeless      courtesies。      To 

Aucassin the hideous plough´man is ;Biax frere�察─ �fair brother�察─�just as the 

treacherous Aegisthus is ��Greek text�А�in Homer�察�these are complimentary 

terms�察�with no moral sense in particular。              The jogleor is not more curious 

than    Homer�察  �or   than   the   poets   of   the   old   ballads�察  �about   giving     novel 

descriptions   of   his   characters。      As   Homer's   ladies   are   ;fair´tressed�察─  �so 

Nicolete and Aucassin have�察�each of them�察�close yellow curls�察�eyes of vair 



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��whatever that may mean���察�and red lips。               War cannot be mentioned except 

as   war   ;where   knights   do   smite   and   are   smitten�察─  �and   so   forth。       The 

author     is  absolutely      conventional      in   such    matters�察   �according     to   the 

convention of his age and profession。 

     Nor   is   his   matter   more   original。     He   tells   a   story   of   thwarted   and 

finally     fortunate     love�察  �and    his   hero    is  ;a   Christened      knight;like 

Tamlane��his heroine a Paynim lady。                To be sure�察�Nicolete was baptized 

before the tale begins�察�and it is she who is a captive among Christians�察�not 

her   lover�察  �as   usual�察  �who   is   a   captive   among   Saracens。     The   author   has 

reversed   the   common   arrangement�察  �and   he   appears   to   have   cared   little 

more than his reckless hero�察�about creeds and differences of faith。                      He is 

not   much   interested   in   the   recognition   of   Nicolete   by   her   great   Paynim 

kindred�察�nor indeed in any of the ;business; of the narrative�察�the fighting�察�

the storms and tempests�察�and the burlesque of the kingdom of Torelore。 

     What the nameless author does care for�察�is his telling of the love´ story�察�

the passion of Aucassin and Nicolete。              His originality lies in his charming 

medley of sentiment and humour�察�of a smiling compassion and sympathy 

with a touch of mocking mirth。             The love of Aucassin and Nicolete ´ 

       ;Des grans paines qu'il soufri�察─�

       that is the one thing serious to him in the whole matter�察�and that is not 

so very  serious。  ��2�� The   story´teller   is   no   Mimnermus�察 �Love   and Youth 

are   the   best   things   he   knew�察�deport   du   viel   caitif�察─  �and   now   he   has 

;come to forty years�察─�and now they are with him no longer。                      But he does 

not lament like Mimnermus�察�like Alcman�察�like Llwyarch Hen。                          ;What is 

Life�察   �what    is  delight    without     golden    Aphrodite�拭      �May      I  die� ─  �says 

Mimnermus�察 �when I am no more conversant with these�察�with secret love�察�

and gracious gifts�察�and the bed of desire。;               And Alcman�察�when his limbs 

waver beneath him�察�is only saddened by the faces and voices of girls�察�and 

would change his lot for the sea´birds。; ��3�� 

       ;Maidens   with   voices   like   honey   for   sweetness   that   breathe   desire�察�

Would   that   I   were   a   sea´bird   with   limbs   that   never   could   tire�察  �Over   the 

foam´flowers flying with halcyons ever on wing�察�Keeping a careless heart�察�

a sea´blue bird of the spring。; 

       But   our   old   captive�察  �having   said   farewell   to   love�察  �has   yet   a   kindly 



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smiling   interest   in   its   fever   and   folly。 Nothing   better   has   he   met�察  �even 

now that he knows ;a lad is an ass。;             He tells a love story�察�a story of love 

overmastering�察�without conscience or care of aught but the beloved。                     And 

the   viel   caitif   tells   it   with   sympathy�察  �and   with   a   smile。 ;Oh   folly   of 

fondness�察─�he seems to cry�察 �oh merry days of desolation; 

       ;When I was young as you are young�察�When lutes were touched and 

songs were sung�察�And love lamps in the windows hung。; 

       It is the very tone of Thackeray�察�when Thackeray is tender�察�and the 

world heard it first from this elderly�察�nameless minstrel�察�strolling with his 

viol and his singing boys�察�perhaps�察�like a blameless d'Assoucy�察�from castle 

to castle in ;the happy poplar land。;            One seems to see him and hear him 

in the twilight�察�in the court of some chateau of Picardy�察�while the ladies on 

silken   cushions   sit   around   him   listening�察  �and   their   lovers�察  �fettered   with 

silver chains�察�lie at their feet。        They listen�察�and look�察�and do not think of 

the minstrel with his grey head and his green heart�察�but we think of him。 

It is an old man's work�察�and a weary man's work。                  You can easily tell the 

places   where   he   has lingered�察  �and   been   pleased   as   he   wrote。     They   are 

marked�察�like the bower Nicolete built�察�with flowers and broken branches 

wet    with   dew。    Such     a  passage     is  the  description    of   Nicolete    at  her 

window�察�in the strangely painted chamber�察�

       ;ki faite est par grant devisse panturee a miramie。; 

       Thence 

       ;she saw the roses blow�察�Heard the birds sing loud and low。; 

       Again�察  �the   minstrel   speaks   out   what   many   must   have   thought�察  �in 

those   incredulous   ages  of   Faith�察  �about   Heaven   and   Hell�察  �Hell   where   the 

gallant company makes up for everything。                  When he comes to a battle´ 

piece he makes Aucassin ;mightily and knightly hurl through the press�察─�

like one of Malory's men。           His hero must be a man of his hands�察�no mere 

sighing     youth    incapable    of  arms。    But     the  minstrels   heart    is  in  other 

things�察�for example�察�in the verses where Aucassin transfers to Beauty the 

wonder´working powers of Holiness�察�and makes the sight of his lady heal 

the palmer�察�as the shadow of the Apostle�察�falling on the sick people�察�healed 

them   by   the   Gate   Beautiful。      The   Flight   of   Nicolete   is   a   familiar   and 

beautiful   picture�察  �the   daisy   flowers   look   black   in   the   ivory   moonlight 



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against her   feet�察  �fair   as  Bombyca's   ;feet of   carven   ivory;   in   the   Sicilian 

idyll�察�long ago。 ��4�� It is characteristic of the poet that the two lovers begin 

to   wra
卦指朕村 和匯匈 指欺競何 壘��0�� 家��0��
隆堋響頼��紗秘慕禰厮宴和肝写偬堋響��
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