嗔秤戻幣�哉膵�云利匈嬉蝕湊蛸賜�塋床四衲���萩晦編報炎嘔囚^泡仟 ̄云利匈�《超噌�殻窟�嵌虜隆輓麈觚翹瀘卉韮�仍仍�。� 烏御危列
湘弼慕汐 卦指云慕朕村 厘議慕尺 厘議慕禰 TXT畠云和墮 序秘慕杏 紗秘慕禰

how to tell children stories(泌採公頃徨讐絞並)-及6嫗

梓囚徒貧圭�鮗� ○ 賜 ★ 辛酔堀貧和鍬匈��梓囚徒貧議 Enter 囚辛指欺云慕朕村匈��梓囚徒貧圭�鮗� ● 辛指欺云匈競何��
!!!!隆堋響頼��紗秘慕禰厮宴和肝写偬堋響��




Nowhere is that property more welcome or needed than in the schoolroom。 

It does us all good to laugh�察�if there is no sneer nor smirch in the laugh�察�

fun    sets  the  blood    flowing    more    freely   in  the  veins�察 �and   loosens    the 

strained   cords   of   feeling   and   thought�察  �the   delicious   shock   of   surprise   at 

every   ;funny   spot;   is   a   kind   of   electric   treatment   for   the   nerves。   But   it 

especially does us good to laugh when we are children。 Every little body is 

released from the conscious control school imposes on it�察�and huddles into 

restful comfort or responds gaily to the joke。 

     More   than   this�察  �humour   teaches   children�察  �as   it   does   their   grown´up 

brethren�察�some of the facts and proportions of life。 What keener teacher is 

there  than   the  kindly  satire�拭�What   more  penetrating   and suggestive   than 

the humour of exaggerated statement of familiar tendency�拭�Is there one of 

us who has not laughed himself out of some absurd complexity of over´ 

anxiety with a sudden recollection of ;clever Alice; and her fate�拭�In our 

household clever Alice is an old habituee�察�and her timely arrival has saved 

many a situation which was twining itself about more ;ifs; than it could 

comfortably support。 The wisdom which lies behind true humour is found 

in the nonsense tale of infancy as truly as in mature humour�察�but in its own 

kind and degree。 ;Just for fun; is the first reason for the humorous story�察�

the wisdom in the fun is the second。 

     And now we come to 

     THE NATURE STORY 

       No other type of fiction is more familiar to the teacher�察�and probably 

no other kind is the source of so much uncertainty of feeling。 The nature 

story is much used�察�as I have noticed above�察�to illustrate or to teach the 

habits   of   animals   and   the   laws   of   plant´growth�察  �to   stimulate   scientific 



                                             22 


´ Page 23´

                 HOW TO TELL STORIES TO CHILDREN AND SOME STORIES TO TELL 



interest as well as to increase culture in scientific fact。 This is an entirely 

legitimate object。 In view of its present preponderance�察�it is certainly a pity�察�

however�察�that so few stories are available�察�the accuracy of which�察�from this 

point of view�察�can be vouched for。 The carefully prepared book of to´day is 

refuted   and   scoffed   at   to´morrow。  The   teacher   who   wishes   to   use   story´ 

telling chiefly as an element in nature study must at least limit herself to a 

small   amount   of   absolutely   unquestioned   material�察  �or   else   subject   every 

new story to the judgment of an authority in the line dealt with。 This is not 

easy  for   the   teacher   at   a   distance   from  the   great   libraries�察  �and   for   those 

who   have   access   to   well´equipped   libraries   it   is   a   matter   of   time   and 

thought。 

     It does not so greatly trouble the teacher who uses the nature story as a 

story�察  �rather   than   as   a   test´book�察  �for   she   will   not   be   so   keenly   attracted 

toward the books prepared with a didactic purpose。 She will find a good 

gift for the child in nature stories which ARE stories�察�over and above any 

stimulus to his curiosity about fact。 That good gift is a certain possession 

of all good fiction。 

     One of the best things good fiction does for any of us is to broaden our 

comprehension of other lots than our own。 The average man or woman has 

little opportunity actually to live more than one kind of life。 The chances 

of    birth�察 �occupation�察     �family    ties�察 �determine      for   most    of  us   a  line   of 

experience   not   very   inclusive   and   but   little   varied�察  �and   this   is   a   natural 

barrier to our complete understanding of others�察�whose life´line is set at a 

different   angle。   It   is   not   possible   wholly   to   sympathise   with   emotions 

engendered by experience which one has never had。 Yet we all long to be 

broad in sympathy and inclusive in appreciation�察�we long�察�greatly�察�to know 

the   experience   of   others。 This   yearning   is   probably  one   of   the   good   but 

misconceived   appetites   so   injudiciously   fed   by   the   gossip   of   the   daily 

press。 There  is   a  hope�察 �in   the  reader�察 �of  getting   for  the  moment   into  the 

lives of people who move in wholly different sets of circumstances。 But 

the relation   of dry  facts in newspapers�察�however   tinged with   journalistic 

colour�察�helps very little to enter such other life。 The entrance has to be by 

the door of the imagination�察�and the journalist is rarely able to open it for 

us。 But there is a genius who can open it。 The author who can write fiction 



                                               23 


´ Page 24´

                 HOW TO TELL STORIES TO CHILDREN AND SOME STORIES TO TELL 



of the right sort can do it�察�his is the gift of seeing inner realities�察�and of 

showing them to those who cannot see them for themselves。 Sharing the 

imaginative vision of the story´writer�察�we can truly follow out many other 

roads   of   life   than   our   own。  The   girl   on   a   lone   country   farm   is   made   to 

understand how a girl in a city sweating´ den feels and lives�察�the London 

exquisite realises the life of a Californian ranchman�察�royalty and tenement 

dwellers      become      acquainted�察     �through     the   power     of   the   imagination 

working on   experience   shown   in   the   light   of   a   human   basis   common   to 

both。    Fiction    supplies    an   element     of  culture��that     of  the   sympathies�察�

which is invaluable。 And the beginnings of this culture�察�this widening and 

clearing   of   the   avenues   of   human   sympathy�察  �are   especially   easily   made 

with children in the nature story。 

     When you begin�察 �There was once a little furry rabbit�察┌�1�А�the child's 

curiosity  is   awakened   by  the   very  fact   that   the   rabbit   is   not   a   child�察  �but 

something of a different species altogether。 ;Now for something new and 

adventuresome�察─�says his expectation�察 �we are starting off into a foreign 

world。; He listens wide´eyed�察�while you say�察 �and he lived in a warm�察�cosy 

nest�察�down under the long grass with his mother; how delightful�察�to live 

in a place like that�察�so different from little boys' homes� �his name was 

Raggylug�察      �and    his  mother's     name     was    Molly     Cottontail。    And     every 

morning�察  �when   Molly   Cottontail   went   out   to   get   their   food�察  �she   said   to 

Raggylug�察   �Now�察  �Raggylug�察  �remember   you   are   only   a   baby   rabbit�察  �and 

don't move from the nest。 No matter what you hear�察�no matter what you 

see�察 �don't   you   move��';all   this   is different   still�察 �yet   it   is   familiar�察 �too�察  �it 

appears that rabbits are rather like folks。 So the tale proceeds�察�and the little 

furry rabbit passes through experiences strange to little boys�察�yet very like 

little   boys'   adventures     in  some     respects�察   �he  is  frightened     by   a  snake�察�

comforted by his mammy�察�and taken to a new house�察�under the long grass 

a long way off。 These are all situations to which the child has a key。 There 

is   just   enough   of   strangeness   to   entice�察  �just   enough   of   the   familiar   to 

relieve any strain。 When the child has lived through the day's happenings 

with Raggylug�察�the latter has begun to seem veritably a little brother of the 

grass to him。 And because he has entered imaginatively into the feelings 

and fate of a creature different from himself�察�he has taken his first step out 



                                               24 


´ Page 25´

                HOW TO TELL STORIES TO CHILDREN AND SOME STORIES TO TELL 



into the wide world of the lives of others。 

       ��1�А�See Raggylug。 

       It may be a recognition of this factor and its value which has led so 

many writers of nature stories into the error of over´humanising their four´ 

footed or feathered heroes and heroines。 The exaggeration is unnecessary�察�

for there is   enough community of   lot suggested in the sternest   scientific 

record to constitute a natural basis for sympathy on the part of the human 

animal。 Without any falsity of presentation whatever�察�the nature story may 

be counted on as a help in the beginnings of culture of the sympathies。 It is 

not�察�of course�察�a help confined to the powers of the nature story�察�all types 

of   story   share   in   some   degree   the   powers   of   each。   But   each   has   some 

especial virtue in dominant degree�察�and the nature story is�察�on this ground�察�

identified with the thought given。 

     The nature story shares its influence especially with 



                          THE HISTORICAL STORY 



       As the one widens the circle of connection with other kinds of life�察�

the other deepens the sense o
卦指朕村 貧匯匈 和匯匈 指欺競何 壘��0�� 家��1��
隆堋響頼��紗秘慕禰厮宴和肝写偬堋響��
梁椣戻幣�� 梁心弌傍議揖扮窟燕得胎��傍竃徭失議心隈才凪万弌誌育断蛍�輌臆惨軼僑〃�燕慕得珊辛參資誼持蛍才将刮襲潜��範寔亟圻幹慕得 瓜寡追葎娼得辛參資誼寄楚署衛、持蛍才将刮襲潜填��