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the cruise of the jasper b[1].(旬帽伝,b,岻嗄)-及3嫗

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     Stevenson�察�cavalry sabers�察�W。 Clark Russell�察�pistols�察�and Dumas�察�Jack 

London�察�poignards�察�bowie knives�察�Stanley Weyman�察�Captain Marryat�察�and 

Dumas�察�sword canes�察�Scottish claymores�察�Cuban machetes�察�Conan Doyle�察�

Harrison Ainsworth�察�dress swords�察�and Dumas�察�stilettos�察�daggers�察�hunting 

knives�察�Fenimore Cooper�察�G。 P。 R。 James�察�broadswords�察�Dumas�察�Gustave 

Aimard�察     �Rudyard     Kipling�察   �dueling    swords�察   �Dumas�察    �F。  Du    Boisgobey�察�

Malay krises�察�Walter Scott�察�stick pistols�察�scimitars�察�Anthony Hope�察�single 

sticks�察�foils�察�Dumas�察�jungles of arms�察�jumbles of books�察�arms of all makes 

and periods�察�arms on the walls�察�in the corners�察�over the fireplace�察�leaning 

against the bookshelves�察�lying in ambush under the bed�察�peeping out of the 

wardrobe�察�propping the windows open�察�serving as paper weights�察�pictures�察�

warlike   and     romantic    prints   and   engravings�察  �pinned   to     the   walls  with 

daggers�察  �in   the   wardrobe�察  �coats   and   hats   hanging   from   poignards   and 

stilettos thrust into the wood instead of from nails or hooks。                   But of all 

the   weapons   it   was   the   rapiers�察  �of   all   the   books   it   was   Dumas�察  �that   he 

loved。     There   was   Dumas   in   French�察  �Dumas   in   English�察  �Dumas   with 

pictures�察�Dumas unillustrated�察�Dumas in cloth�察�Dumas in leather�察�Dumas 



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                               THE CRUISE OF THE JASPER B。 



in   boards�察   �Dumas      in  paper   covers。     Cleggett     had   been    twenty    years 

getting these arms and books together�察�often he had gone without a dinner 

in order to make a payment on some blade he fancied。                   And each weapon 

was also a book to him�察�he sensed their stories as he handled them�察�he felt 

the   personalities   of   their   former   owners   stirring   in   him   when   he   picked 

them up。      It was in that room that he dreamed�察�which is to say�察�it was in 

that room that he lived his real life。 

     Cleggett     walked     over   to  his  writing    desk   and    pulled   out   a  bulky 

manuscript。       It was his own work。           Is it necessary to hint that it was a 

tale essentially romantic in character�拭�

     He flung it into the grate and set fire to it。          It represented the labor of 

two years�察�but as he watched it burn�察�stirring the sheets now and then so 

the flames would catch them  more readily�察�he smiled�察�unvisited by even 

the most shadowy second thought of regret。 

     For   why   the   deuce   should   a   man   with   500��000   in   his   pocket   write 

romances�拭       �Why should anyone write anything who is free to live�拭                  �For 

the first time in his existence Cleggett was free。 

     He     picked    up    a  sword。      It    was    one    of   his   favorite    rapiers。 

Sometimes        people    came    out   of  the  bookssometimes         shadowy      forms 

came back to claim the weapons that had been theirsand Cleggett fought 

them。     There was not an unscarred piece of furniture in the place。                     He 

bent the flexible blade in his hands�察�tried the point of it�察�formally saluted�察�

brought     the   weapon     to  parade�察   �dallied   with    his  imaginary     opponent's 

sword for an instant。 。 。 。 

     It   seemed   as   if   one  of   those terrible�察 �but   brilliant�察 �duels�察  �with   which 

that room was so familiar�察�was about to be enacted。 。 。 。                  But he laid the 

rapier   down。      After   all�察  �the   rapier   is   scarcely   a   thing   of   this   century。 

Cleggett�察�for the first time�察�felt a little impatient with the rapier。               It is all 

very  well   to   DREAM   with   a  rapier。       But now�察  �he   was   free�察  �reality  was 

before him�察�the world of actual adventure called。               He had but to choose� �

     He considered。        He tried to look into that bright�察�adventurous future。 

Presently   he   went   to   the   window�察  �and   gazed   out。      Tides   of   night   and 



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                                THE CRUISE OF THE JASPER B。 



mystery�察     �flooding    in   from   the   farther�察  �dark�察  �mysterious      ocean�察   �all  but 

submerged   lower   Manhattan�察  �high   and   beautiful   above   these   waves   of 

shadow�察�triumphing over them and accentuating them�察�shone a star from 

the   top   of   the   Woolworth   building�察  �flecks   of   light   indicated   the   noble 

curve of that great bridge which soars like a song in stone and steel above 

the shifting waters�察�the river itself was dotted here and there with moving 

lights�察�it was a nocturne waiting for its Whistler�察�here sea and city met in 

glamour and beauty and illusion。 

     But it was not the city which called to Cleggett。 It was the sea。 

     A breeze blew in from the bay and stirred his window curtains�察�it was 

salt in his nostrils。 。 。 。And�察�staring out into the breathing night�察�he saw a 

succession of pictures。 。 。 。 

     Stripped   to   a   pair   of   cotton   trousers�察  �with   a   dripping   cutlass   in   one 

hand   and   a   Colt's   revolver   in   the   other�察  �an   adventurer   at   the   head   of   a 

bunch of dogs as desperate as himself fought his way across the reeking 

decks   of   a   Chinese   junk�察 �to   close  in   single   combat   with   a  gigantic   one´ 

eyed pirate who stood by the helm with a ring of dead men about him and 

a great two´handed sword upheaved。 。 。 。                This adventurer wasClement J。 

Cleggett�  � 。 。 

     Through       the   phosphorescent        waters    of  a  summer       sea�察 �reckless     of 

cruising   sharks�察  �a   sailor's   clasp   knife   in   his   teeth�察  �glided   noiselessly   a 

strong swimmer�察�he reached the side of a schooner yacht from which rose 

the   wild    cries   of   beauty   in   distress�察  �swarmed   aboard   with   a   muttered 

prayer that was half a curse�察�swept the water from his eyes�察�and with pale�察�

stern   face   went   about   the   bloody   business   of   a   hero。   。   。   。 Again�察  �this 

adventurer was Clement J。 Cleggett� �

     Cleggett turned from the window。 

     ;I'll do it�察─�he cried。      ;I'll do it� ─�

     He grasped a cutlass。 

     ;Pirates� ─  �he   cried�察  �swinging   it   about   his   head。   ;That's   the   thing 

pirates and the China Seas� ─�

     And   with   one   frightful   sweep   of   his   blade   he   disemboweled   a   sofa 



                                                  12 


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                          THE CRUISE OF THE JASPER B。 



cushion�察�the second blow clove his typewriting machine clean to the tattoo 

marks upon its breast�察�the third decapitated a sectional bookcase。 

    But what is a sectional bookcase to a man with 500��000 in his pocket 

and the Seven Seas before him�拭�



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                              THE CRUISE OF THE JASPER B。 



                             CHAPTER III 



      A SCHOONER�察�A SKIPPER�察�AND 

                                A SKULL 



     It was a few days later�察�when a goodly number of the late Uncle Tom's 

easily   negotiable   securities   had   been   converted   into   cash�察  �and   the   cash 

deposited in the bank�察�that Cleggett bought the Jasper B。 

     He    discovered    her   near   the  town    of  Fairport�察  �Long    Island�察  �one 

afternoon。     The vessel lay in one of the canals which reach inward from 

the   Great   South   Bay。   She   looked   as   if   she   might   have   been   there   for 

some time。      Evidently�察�at one period�察�the Jasper B。 had played a part in 

some   catch´coin   scheme   of   summer   entertainment�察  �a   scheme   that        had 

failed。    Little   trace  of  it  remained   except   a  rotting  wooden     platform�察�

roofless and built close to the canal�察�and a gangway arrangement from this 

platform to the deck of the vessel。 

     The Jasper B。   had seen better days�察�even   a landsman   could tell   that。 

But from the blunt bows to the weather´scarred stern�察�on which the name 

was faintly discernible�察�the hulk had an air about it�察�the air of something 

that has lived�察�it was eloquent of a varied and interesting past。 

     And�察  �to   complete   the   picture�察  �there   sat   on   her   deck   a   gnarled   and 

brown old man。        He smoked a short pipe which was partially hidden in a 

tangle   of   beard   that   had   once   been   yellowish   red   but   was   now   streaked 

with   dirty   white�察  �he   fished   earnestly   without   apparent   result�察  �and   from 

time to time he spat into the water。         Cleggett's nimble fancy at once put 

rings into his ears and dowered him with a history。 

     Cleggett noticed�察�as he walked aboard the vessel�察�that she seemed to be 

jammed   not   merely  
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